ReOrder

Tested this live! Should I release it?

came to me wanting to make better mixes for the gym.

That is not a joke. Kevin barely knew Ableton. He was not trying to get signed, he wanted to edit tracks a bit for his own workouts.

I told him he may as well try producing properly. Worst case he would come out understanding Ableton. Best case he would come out with a track.

The first track he finished was signed. He has five more since. One of them was played by Armin van Buuren on A State of Trance.

He says the thing he had been missing was never plugins or another course. It was someone in the industry telling him what was wrong with his own track.
That is the whole bootcamp in one sentence.

Six seats left of fifteen. Enrolment closes Thursday 3 September, we start Friday the 4th.
Link in bio.

Honest, uncut, brutal truth Message to all producers who are struggling to finish their tracks.

Should I finish this?

Yesterday, I published a new YouTube video where I show how to make the acid sound from the track “That Acid” by Marie Vaunt. It’s been doing pretty well—it has around 4,000 views in the past 12 hours, which I didn’t expect. So first of all, thank you very much for that!

I was wondering, should I take the acid sound I created in the video (or something similar) and make a full acid track? What do you guys think? Please be honest—thank you!

Zvládneme velké věci, ale počasí bohužel neporučíme. To ale neznamená, že to vzdáváme — nový termín oznámíme už brzy!

Jógu radši nechám na Aničku. A pak zapaříme dokud nám to počasí dovolí💪🏻

Žijeme dva životy, ten opravdovej a ten na displeji. Kterej vyhrává u tebe? Tak zavři displej a přijď to zažít naživo. 21. srpna se vidíme U Matchy🌇

Hledali DJe tak jsem se přihlásil🤫

První Pod širým nebem byla pecka, a proto jedeme znovu. 21. srpna, tentokrát jako Tomorrowland edice. Vice info najdeš v bio🙏🏻🌇