Burnaway

Get to know another set of tablers who will be presenting their work at Book//Zine, Burnaway’s annual art book and zine fair, at Goat Farm (Goat Farm) on Saturday, October 24 from 11AM-5PM.

See more from these exhibitors—as well as the full list of tablers who will be joining us at Book//Zine—at the link in bio.

1 - Tangled Stream — Providence, RI — Tangled Stream
2 - The Georgia Review — Athens, GA — The Georgia Review
3 - Love For Sale — New York, NY — Tyler Andrew / Jalen Jenkins / justinaledia / Mathew Wheatley
4 - Julie Fordham — Atlanta, GA — Julie Fordham
5 - Yoon Nam — Atlanta, GA — Yoon Nam
6 - Good Nest Press — Athens, GA — Noah Lagle
7 - Peace Offering Press — Atlanta, GA — dvdgdby / .wreak / Audrey
8 - KGP MONOLITH — Queens, NYC — Kris Graves
9 - Vedika Mehra — Atlanta, GA — Vedika

Annie Moye (Annie Moye) profiles Yvette Gunn, an Atlanta artist and environmentalist who has transformed her Kirkwood home into Birdhouse Paradise, an artist-built environment filled with more than 400 handmade birdhouses, gardens, and found objects.

“I’m not dying to see heaven, so I create my own here to share with others.”

Read more from Moye’s profile of Gunn in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair from Thursday, October 1 to Sunday, October 4. Stop by Atlanta Contemporary (Atlanta Contemporary) during the fair to pick up a copy.
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1-3. Yvette Gunn’s “Birdhouse Paradise” in East Lake, Atlanta. Photograph by and courtesy of Amanda Greene.

Renee Royale profiles Martinique-based artist David Gumbs (David Gumbs), whose interactive installations use technology, everyday objects, and ecological markers to explore memory, ancestry, and the layered histories of the Caribbean.

“For the artist, technology can adapt to the environment through the tactile intervention of his hand, offering an equalizing, rather than dominating, force.”

Read more from Royale’s profile of Gumbs in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair (Atlanta Art Fair) from Thursday, October 1 to Sunday, October 4.
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1. David Gumbs in 2023. Photograph by Kiron Key and courtesy of the artist. 2. David Gumbs, “Mummy’s Crochet,” 2026, interactive installation. Photograph by and courtesy of the artist. 3. David Gumbs, “Ethno Spirits Martinique,” 2023, multimedia installation. Photograph by and courtesy of the artist.

Bryn Evans (Bryn) speaks with Marguerite (Margy) Adams (Margy) and Joslyn Gardner, cofounders of Emory University’s Black Feminist Working Group, about Madeleine Hunt-Ehrlich’s (Madeleine Hunt Ehrlich) “The Ballad of Suzanne Césaire” (2024) and the film’s surrealist approach to Suzanne Césaire, archival fragments, and the politics of seeing.

“That’s central to her articulation of camouflage: the tourist isn’t able to see. Beauty itself is a form of camouflage, and there’s a duality where camouflage also acts as a form of resistance. The islands are not allowing people to see through its beauty.”

Read more from Evans’s conversation with Adams and Gardner in Burnaway’s special edition broadsheet, available at the Atlanta Art Fair from Thursday, October 1 to Sunday, October 4. Come by Atlanta Contemporary (Atlanta Contemporary) on Saturday, October 3 from 11am–1pm for a screening of The Ballad of Suzanne Césaire and pick up a copy of the broadsheet.
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1-3. Stills from “The Ballad of Suzanne Césaire,” 2024. Image courtesy of Madeleine Hunt-Ehrlich and “The Ballad of Suzanne Césaire” Team.

This Saturday, October 3rd, is the return of SITE: Goat Farm’s third annual campus-wide exhibition of contemporary art, performance, music, film, installation, and experimentation.

Explore new works by more than 50 local, national, and international artists across Goat Farm’s 12-acre campus, alongside live music, open studios, performances, and large-scale artworks. Each year, SITE explores the idea of “site” through new commissions, performances, and installations that engage with place, context, time, and perception.

SITE artists:
1024 architecture
Brandon Sadler x Rocko Walker
Jacob Irish
Hermes Mangialardo
Ollie Goss
Navin Norling
Gresham Cash
Dana Haugaard
Michael “Mike” Stasny
T.W. Pilar
Laila Jhané
Sound Service (Nia Rich)
Living Walls x Addam Yekutieli
Kristan Woolford
Elisa Dore
L42i – Lab for Interaction & Immersion
Adam Forrester
Maia Jones x With Width Dance Company
Broly Su
Liliana Penagos
Linda McNeil
Virginia Broyles
Justin W. Archer
Gabi Madrid
Blaise Dell
Amelia Reiser
Hiroko Kelly x Isa Newport x Madeline O’Brien
Lisa Li x (TBD) Design x Monsieur Blanc
Jordan Young
Colin Mulligan

Musical performances:
csndra
Nelward (solo)
D2T
Wifi Daddy
Gladys
Frankly Dope
LUNGWING

Schedule:
5:30PM Frankly Dope (WARHORSE)
6:00PM D2T (MAIN STAGE)
7:30PM Lungwing (WARHORSE)
8:00PM Nelward (MAINSTAGE)
8:30PM Brandon Sadler & Rocko Walker (GOODSON)
9:00PM csndra (MAIN STAGE)
9:30PM Gladys
9:45PM Wifi Daddy

💥 SITE 2026
📅 10/3
⏰ 5pm - 11pm
📍 Goat Farm
🎟️ Week-of $35 at link in Goat Farm’s bio 🔗$40 day-of

Meet some of the tablers who will be presenting their work at Book//Zine, Burnaway’s annual art book and zine fair, at Goat Farm (Goat Farm) on Saturday, October 24 from 11AM-5PM.

See more from these exhibitors—as well as the full list of tablers who will be joining us at Book//Zine—at the link in bio.

1 - Shortt Editions — Gainesville, FL — Paul Shortt
2 - Press Shop — Atlanta, GA — press shop atl
3 - huiyin zhou 徽音 / CAO Collective 离离草 — Durham, NC — 徽音huiyin /
4 - With feeling, Collective — Atlanta, GA
5 - Print St. Pete — St. Petersburg, FL — PRINT ST. PETE
6 - Silverwood Dream — Atlanta, GA
7 - MuthaKween — Chattanooga, TN — Jaclyn Lewis
8 - SANDLOT — Atlanta, GA — SANDLOT
9 - N. Masani Landfair — Atlanta, GA — N. Masani Landfair

Back by popular demand! 💌 We’ll be at Atlanta’s liveliest cemetery for their annual music festival this Sunday, September 27. Come by Oakland Cemetery (Oakland Cemetery) for Sunday in the Park ft. Tunes from the Tombs to enjoy all-day live music, a curated market, interactive experiences, a mausoleum porchfest, and Burnaway’s temporary tattoos (first seen at Oakland earlier this year)!

Topher Lineberry (Topher Lineberry) profiles “belonging to place”, an exhibition looking at the creative community and artistic legacy of the influential Black feminist writer, activist, and cultural critic bell hooks at Turchin Center for the Visual Arts (Turchin Center), Boone.

“Curated by writer E. Gale Greenlee and artist shauna caldwell, who connected through their research and mutual contacts at the bell hooks center, the exhibition brings hooks’ legacy to western North Carolina in order to foster a dialogue across the broader Appalachian region about art and feminist praxis.”

Read more from the review at the link in bio. “belonging to place: The Creative Community & Artistic Legacy of bell hooks” is on view at Appalachian State University’s Turchin Center for the Visual Arts in Boone, NC, through October 3, 2026.
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1-3. Installation view of “belonging to place: The Creative Community & Artistic Legacy of bell hooks” at the Turchin Center for the Visual Arts, Boone. Photograph by shauna caldwell and courtesy of Turchin Center for the Visual Arts, Boone.

Browse through some of the tablers who will be presenting their work at Book//Zine, Burnaway’s annual art book and zine fair, at Goat Farm (Goat Farm) on Saturday, October 24 from 11AM-5PM.

See more from these exhibitors—as well as the full list of tablers who will be joining us at Book//Zine—at the link in bio.

1 - Ujima Press — Boston, MA — Ujima Project / Fortunately,
2 - Bench Press — Chicago, IL — bench press
3 - Biosphere Books — Atlanta, GA — Biosphere Books
4 - Atlanta Regional Commission: Community Engagement + Culture Team — Atlanta, GA — Atlanta Regional Commission
5 - Benjamin Britton — Athens, GA
6 - Secret Astronomer — Durham, NC — Secret Astronomer
7 - Memory Cavity — Stone Mountain, GA — ♱✮♱ jane ♱✮♱ / jane˚ ༘ 𝜗𝜚 ⋆｡˚ ♱
8 - Ian Clark — Atlanta, GA — I.M.C.
9 - Civil Bikes — Atlanta, GA — Unbearable lightness

Burnaway takes a close look at “ENID 2026: Generations of Women Sculptors” at KMAC Museum (KMAC Contemporary Art Museum), Louisville, on view through November 1, 2026.

“Ranging in media from bronze, ceramic, glass, wood, metal, and stone carving, the exhibition also includes artists working in mixed-media collage, assemblage, installation using unconventional materials, and video. ENID 2026 does not follow a specific theme, rather it celebrates the wide range of creative practices being explored by women artists with ties to Louisville.” — from the exhibition text

See more of “ENID 2026: Generations of Women Sculptors” at the link in bio.
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1. Installation view of “ENID 2026: Generations of Women Sculptors,” Louisville, 2026. From left to right: Frances Kratzok, Gayle Cerlan, Jeanne Dueber, Licia Priest. Photograph by Diane Deaton Street, courtesy KMAC Museum. 2. Installation view of “ENID 2026: Generations of Women Sculptors,” Louisville, 2026. Left wall: Jacque Parsley. Center floor: Leticia Bajuyo. Right, from left to right: Caren Cunningham, Ewing Fahehy, Leticia Bajuyo. Photograph by Diane Deaton Street, courtesy KMAC Museum. 3. Installation view of “ENID 2026: Generations of Women Sculptors,” Louisville, 2026. Front right: Ann Klem. Back center: Leticia Bajuyo. Back wall: Linda Erzinger. Left pedestals: Leticia Bajuyo, Ewing Fahey, Caren Cunningham. Photograph by Diane Deaton Street, courtesy KMAC Museum.