Seattle Wushu Center

Seattle Wushu Center

Share

Nearby schools & colleges

Love Harriet Tubman
Love Harriet Tubman

Home"Inner Concepts Martial Arts" with Sifu Restita DeJesus. Kajukenbo, Wushu, Tai Chi, Eskrima. seattlewushu.org for our class offerings

Also home to Encompass Defense Collective: Self protection education specializing in Women & Teen Girls. Seattle Wushu Center first opened in 1991 under the name "Inner Concepts Martial Arts". Since then, our studio underwent name changes: "Yin Yang Arts Center", and now finally "Seattle Wushu Center". We offer instruction in Wushu, Kajukenbo-based martial arts curriculum, Chen Tai Chi, Yang Tai Chi and Filipino Martial Arts. Classes available for youth and teens, age 4 and older, and all adults.

09/04/2026

For any friends on the Eastside or general Puget Sound area, my Teacher, Master Hong Yijiao of Chinese Wushu & Taichi Academy LLC , will be holding a few beginners public Tai Chi session next week. If interested in learning more about Tai Chi, feel free to show up!

I won't be there due to my teaching schedule at my Kwoon, but tell Master Hong that "Rusty" recommended you.

08/19/2026

The kids at the Kwoon love this new bigger and sturdier bristle target for plastic groove stars and axes.
As does this big kid. ๐Ÿคฃ

08/12/2026

๐—ง๐—ฟ๐—ฎ๐—ถ๐—ป๐—ถ๐—ป๐—ด ๐˜ƒ๐˜€. ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐˜€: ๐—ง๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—œ๐˜€ ๐—ฎ ๐——๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ
By Restita DeJesus

(These thoughts may differ greatly from what my other colleagues teach. However, please remember that these are my thoughts and observations based my own training, experience, and observations, and I am not claiming these as "cut in stone" rules or dogma.
----------------------------

Martial artists often use the words โ€œtrainingโ€ and โ€œpracticeโ€ interchangeably. While they certainly overlap, thinking of them as two different parts of skill development can make us better studentsโ€”and better instructors.

A simple distinction is:

๐˜›๐˜ณ๐˜ข๐˜ช๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฆ ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฌ๐˜ช๐˜ญ๐˜ญ. ๐˜—๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ค๐˜ฆ ๐˜ช๐˜ด ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ฑ๐˜ฆ๐˜ข๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ช๐˜ต.

๐—ง๐—ฟ๐—ฎ๐—ถ๐—ป๐—ถ๐—ป๐—ด: ๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐——๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—ถ๐—ป๐—ด
Training has an objective. We are learning something, developing a capability, or challenging an existing skill.

An instructor teaches you a new punch combination, takedown, lock, form movement, or Eskrima drill. You learn the mechanics, understand why it works, receive corrections, and gradually add elements such as movement, timing, resistance, speed, or decision-making.

Training can therefore include both learning new material and learning to apply material you already know.

Training asks questions such as:

What am I trying to learn?
Why does this technique work?
When should I use it?
Can I perform it against movement or resistance?
Can I adapt when my first choice doesn't work?
Training isn't necessarily about doing hundreds of repetitions. It's about developing capability with a purpose.

๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ: ๐—ฅ๐—ฒ๐—ฝ๐—ฒ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ณ๐—ถ๐—ป๐—ถ๐—ป๐—ด
Once you've learned something, practice keeps you from merely knowing it intellectually and turns it into something you can actually do consistently.

Practice is repetitionโ€”but it should be purposeful repetition.

You practice your basic strikes so they become cleaner. You practice footwork until you no longer have to consciously think about every step. You repeat a form to improve transitions and body mechanics. You practice an Eskrima pattern until your hands move naturally instead of stopping to remember what comes next.

But simply doing something over and over isn't necessarily good practice.

That's where something that I call "P.A.C.E." comes in.

๐—ง๐—ต๐—ฒ ๐—ฃ.๐—”.๐—–.๐—˜. ๐—Ÿ๐—ผ๐—ผ๐—ฝ
P โ€” Perform
Do the technique, movement, drill, or skill.

A โ€” Assess
What worked? What didn't? What needs improvement? What do I need to improve this?

C โ€” Correct
Make a specific adjustments. Ask Teachers if unsure.

E โ€” Execute Again
Repeat it with the corrections.

Then P.A.C.E. starts again:

Perform โ†’ Assess โ†’ Correct โ†’ Execute Again

This turns repetition into deliberate practice.

Doing a technique incorrectly 100 times doesn't magically make it correct. It may simply make the mistake more deeply ingrained.

Training Gives Practice Something to Work On
Think of the relationship this way:

Training: โ€œHere's what I'm learning and how it works.โ€

Practice: โ€œNow I'm going to repeat it until I can do it reliably.โ€

Then we return to training:

Training: โ€œNow let's see whether I can use it while moving, under resistance, or when I don't know exactly what's coming.โ€

That experience exposes new weaknessesโ€”which gives us something else to practice.

So martial arts development becomes a continuing cycle:

TRAIN โ†’ PRACTICE โ†’ APPLY โ†’ EVALUATE โ†’ REFINE โ†’ TRAIN AGAIN

A student might train a new defensive combination in class, practice it repeatedly during the week, and then return to training where the instructor adds movement, resistance, timing, or unpredictable attacks.

If something falls apart, that's useful information.

Go back to P.A.C.E.

Perform. Assess. Correct. Execute Again.

๐—ฌ๐—ผ๐˜‚ ๐—ก๐—ฒ๐—ฒ๐—ฑ ๐—•๐—ผ๐˜๐—ต
Training without practice can produce a student who has been shown a lot but has developed very little.

Practice without training can produce someone who is extremely comfortable repeating familiar movements but rarely challenges those skills or develops new ones.

Martial artists need both.

Training expands your abilities. Practice sharpens them.

Training gives you something new to work on. Practice makes it better. Training challenges it. Practice fixes the weaknesses that challenge reveals.

And over years of martial arts study, that cycle never really ends.

Learn it through training. Own it through practice. Test it through training. Refine it through P.A.C.E.

08/12/2026

Mighty Mites classes (7 to 9 years old) are now enrolling! Great afterschool activity! Enhance strength, self discipline, teamwork, motor skills & coordination, confidence, awareness, and more! Seattle Wushu Center seattlewushu.org [email protected]

08/05/2026

๐—–๐—ผ๐—ด๐—ป๐—ถ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—•๐—ถ๐—ฎ๐˜€ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐˜€: ๐—ช๐—ต๐˜† ๐—˜๐˜ƒ๐—ฒ๐—ป ๐—š๐—ผ๐—ผ๐—ฑ ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—–๐—ฎ๐—ป ๐—•๐—ฒ ๐—ช๐—ฟ๐—ผ๐—ป๐—ด
By Sifu Restita DeJesus

More subjects on my blog "Don't Fight The Tao"
https://dontfightthetao.blogspot.com/

Martial artists often pride themselves on discipline, honesty, and the pursuit of truth. We spend years refining techniques, correcting mistakes, and testing our abilities. Ironically, one of the greatest obstacles to improvement isn't a lack of physical skillโ€”it's something happening inside our own minds.

That obstacle is ๐—ฐ๐—ผ๐—ด๐—ป๐—ถ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฏ๐—ถ๐—ฎ๐˜€.

Cognitive bias refers to the mental shortcuts our brains use to make decisions quickly. While these shortcuts are useful in everyday life, they can also distort how we interpret evidence, evaluate training, judge other martial arts, and even assess our own abilities.

Understanding cognitive bias doesn't make us weaker. It makes us more objective, more adaptable, and ultimately better martial artists.

___________________
๐—ง๐—ต๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜'๐˜€ ๐—•๐—น๐—ถ๐—ป๐—ฑ ๐—ฆ๐—ฝ๐—ผ๐˜
Every martial artist has opinions.

"This style is superior."

"That technique would never work."

"Our lineage is the most authentic."

"I know this works because I've done it for thirty years."

Experience certainly mattersโ€”but experience alone doesn't make someone immune to bias.

In fact, the more invested we become in a particular system, instructor, or philosophy, the harder it can be to recognize when our own thinking has become selective.

The best martial artists aren't those who never make mistakes.

They're the ones willing to discover that they've been wrong.

___________________
๐—–๐—ผ๐—ป๐—ณ๐—ถ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—•๐—ถ๐—ฎ๐˜€
Perhaps the most common cognitive bias in martial arts is confirmation bias.

This is our tendency to notice evidence that supports what we already believe while ignoring evidence that contradicts it.

Imagine someone convinced that their style contains the "best" self-defense techniques.

When they see videos where those techniques succeed, they proudly share them.

When they see failures, they dismiss them:

"The practitioner wasn't trained well."
"That wasn't real."
"Our version is different."
"The opponent cheated."
Notice what happens.

Every success confirms the belief.

Every failure gets explained away.

The belief never has to change.

___________________
๐—ง๐—ต๐—ฒ ๐——๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด-๐—ž๐—ฟ๐˜‚๐—ด๐—ฒ๐—ฟ ๐—˜๐—ณ๐—ณ๐—ฒ๐—ฐ๐˜
Another common bias is the Dunning-Kruger Effect.

People with limited knowledge often overestimate their understanding because they don't yet know what they don't know.

Martial arts social media has amplified this dramatically.

Someone may attend a seminar, watch twenty YouTube videos, spar for a few months, and suddenly begin declaring entire martial arts systems "useless."

Ironically, experienced instructors often sound less certain.

Why?

Because deeper knowledge reveals complexity.

The more you learn, the more you realize how much remains to be learned.

___________________
๐—ฆ๐˜‚๐—ฟ๐˜ƒ๐—ถ๐˜ƒ๐—ผ๐—ฟ๐˜€๐—ต๐—ถ๐—ฝ ๐—•๐—ถ๐—ฎ๐˜€
We often remember spectacular successes while forgetting the many unseen failures.

For example:

"I knocked someone out once using this technique."

That's impressive. But how many times did it fail? How many variables existed? How many other techniques were attempted first?

Judging a system solely by its highlight reel is like judging a baseball player only by home run compilations.

You never see the strikeouts.

___________________
๐—”๐˜‚๐˜๐—ต๐—ผ๐—ฟ๐—ถ๐˜๐˜† ๐—•๐—ถ๐—ฎ๐˜€
Many martial artists assume something must be true because a famous master said it.

Respect for instructors is an important part of martial arts culture. Blind acceptance is not. Even legendary instructors disagree with one another.

Many great pioneers changed their methods throughout their lives after discovering better ways of doing things.

If the masters continued learning...Why shouldn't we?

___________________
๐—ง๐—ต๐—ฒ ๐—ฆ๐˜‚๐—ป๐—ธ ๐—–๐—ผ๐˜€๐˜ ๐—™๐—ฎ๐—น๐—น๐—ฎ๐—ฐ๐˜†
Imagine spending twenty years practicing a particular method.

Someone presents compelling evidence that another approach solves certain problems more effectively.

Accepting that evidence may feel uncomfortable because it seems to diminish decades of work.

Instead, people often reject new informationโ€”not because it's wrongโ€”but because admitting it would be emotionally expensive.

Time invested should never become a prison.

Your previous training isn't wasted if it becomes the foundation for continued growth.

___________________
๐—ง๐—ฟ๐—ถ๐—ฏ๐—ฎ๐—น๐—ถ๐˜€๐—บ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐˜€
Humans naturally form tribes.

Karate.

Kung Fu.

Kajukenbo.

Brazilian Jiu-Jitsu.

Muay Thai.

Krav Maga.

Eskrima.

Etc.

The problem isn't belonging to a tribe.

The problem begins when loyalty replaces objectivity.

Suddenly every success by your group proves superiority.

Every success by another group becomes an exception.

Healthy pride becomes unhealthy certainty.

___________________
๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฎ ๐— ๐—ฎ๐—ธ๐—ฒ๐˜€ ๐—•๐—ถ๐—ฎ๐˜€ ๐—ช๐—ผ๐—ฟ๐˜€๐—ฒ
Algorithms reward confidence more than nuance.

Statements like:

"This is one hundred percent wrong."

"This technique never works."

"This style is fake."
..generate more engagement than:

"It depends."

"There are contexts where this works."

"Let's examine the variables."

Unfortunately, certainty often sounds more convincing than accuracy.

The loudest voice isn't always the wisest one.

___________________
๐—ฃ๐—ฟ๐—ฒ๐˜€๐˜€๐˜‚๐—ฟ๐—ฒ ๐—ง๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ด ๐—ช๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐—˜๐—ด๐—ผ
Good martial arts training should include opportunities to challenge assumptions.

Ask questions like:

Can this technique work against resistance?
Under what circumstances does it fail?
What adjustments improve success?
Does this apply equally to different body types, ages, and skill levels?
What happens if my opponent doesn't cooperate?
Testing should be viewed as learningโ€”not as an attack on tradition.

A technique that survives honest testing becomes stronger.

___________________
๐—œ๐—ป๐˜๐—ฒ๐—น๐—น๐—ฒ๐—ฐ๐˜๐˜‚๐—ฎ๐—น ๐—›๐˜‚๐—บ๐—ถ๐—น๐—ถ๐˜๐˜† ๐—œ๐˜€ ๐—ฎ ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—ฆ๐—ธ๐—ถ๐—น๐—น
One of the highest levels of martial arts isn't physical.

It's intellectual.

Being able to say:

"I was wrong."

"I hadn't considered that."

"That's a good point."

"I need to learn more."

Those aren't signs of weakness.

They're signs of confidence.

A fragile ego protects beliefs.

A strong martial artist tests them.

___________________
๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜๐˜€
The goal of martial arts has never been to prove we're always right.

The goal is continual improvement.

Cognitive biases affect beginners, instructors, grandmasters, and world champions alike. None of us are exempt.

The question isn't whether we have biases. The question is whether we're willing to recognize them.

The next time you evaluate a technique, criticize another style, or defend your own, pause for a moment and ask yourself:

"๐—”๐—บ ๐—œ ๐˜€๐—ฒ๐—ฒ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—ฎ๐—น๐—ถ๐˜๐˜†... ๐—ผ๐—ฟ ๐—ฎ๐—บ ๐—œ ๐˜€๐—ถ๐—บ๐—ฝ๐—น๐˜† ๐˜€๐—ฒ๐—ฒ๐—ถ๐—ป๐—ด ๐˜„๐—ต๐—ฎ๐˜ ๐—œ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐˜๐—ผ ๐˜€๐—ฒ๐—ฒ?"

That single question may improve your martial arts more than another thousand repetitions of the same technique.

08/05/2026

๐ŸŒฑ Don't let slow progress fool you.

"Some quit because of slow progress, never grasping the fact that slow progress is progress."

One of the greatest lessons Tai Chi teaches us is patience. Improvement doesn't happen overnight. It's built one practice at a time, one movement at a time, one day at a time.

Some days you'll feel like you're making great strides. Other days, it may seem like nothing is changing. Keep showing up. Every practice brings you one step closer to becoming a little better than you were yesterday.

๐Ÿ’ฌ Have you ever looked back and realized how much progress you'd made, even though you didn't notice it at the time? Share your experience in the comments!

Photos from Chinese Wushu & Taichi Academy LLC's post 07/19/2026

Congratulations to my Teacher, Master Yijiao Hong, on the 30 year anniversary of Chinese Wushu & Taichi Academy LLC. I had the pleasure of starting at CWTA in 1996, not long after she opened her school. The Wushu experience was incredible, as well as her Certified Teacher Program (2 years of everyday training): Arduous, intense and you had to dig super deep to get through the sessions. Then I got serious about Taijiquan, where Master Hong introduced us to hew own teacher Grandmaster Chen Zhenglei. Incredible journey, incredible 30 years with CWTA.

07/19/2026

๐—ช๐—ต๐˜† ๐—”๐—ฟ๐—ฒ ๐—ฆ๐—ผ ๐— ๐—ฎ๐—ป๐˜† ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ข๐—ฏ๐˜€๐—ฒ๐˜€๐˜€๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐—ฃ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐—ป๐—ด ๐—˜๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐—ข๐˜๐—ต๐—ฒ๐—ฟ ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜ ๐—œ๐˜€ "๐—•๐˜‚๐—น๐—น๐˜€๐—ต๐—ถ๐˜"?

Spend enough time on social media and you'll notice a strange trend. It doesn't matter whether the topic is Karate, Brazilian Jiu-Jitsu, Boxing, Kung Fu, Taekwondo, Wrestling, Aikido, Krav Maga, Wing Chun, Kajukenbo, or any other system. Someone inevitably shows up to declare that the entire art is "fake," "useless," or "doesn't work."
Ironically, many of these critics aren't interested in learning about the art they're attacking. They've already made up their minds.
And it seems all the "Reality Experts" have come out of the woodwork.:...The ones that talk as if they've trained in every style and researched ways to beat every single of them. ...The ones who watch a video of a demonstration and criticize it becuase it doesn't look like what they do at their own gym....The ones that rally as many people on social media so they appear supported and feel they've been proven right.....The ones that have nothing better to do than troll the internet for videos to critique, yet never post any footage of themselves.
So why has this become such a common phenomenon?

๐—ง๐—ต๐—ฒ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฒ๐˜ ๐—ฅ๐—ฒ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ ๐—–๐—ฒ๐—ฟ๐˜๐—ฎ๐—ถ๐—ป๐˜๐˜†, ๐—ก๐—ผ๐˜ ๐—–๐˜‚๐—ฟ๐—ถ๐—ผ๐˜€๐—ถ๐˜๐˜†
Social media algorithms don't reward balanced opinions.
A video titled, "๐˜Œ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฎ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ข๐˜ญ ๐˜ข๐˜ณ๐˜ต ๐˜ฉ๐˜ข๐˜ด ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ข๐˜ฌ๐˜ฏ๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ด ๐˜ฅ๐˜ฆ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜น๐˜ต" will probably receive far less attention than one titled:
"Why Kung Fu Doesn't Work!"
"The Truth About Karate!"
"This Martial Art Is Dead!"
"Stop Wasting Your Time Training This!"
Outrage generates clicks. Clicks generate views. Views generate followers.
Unfortunately, nuance rarely goes viral.

๐—œ๐—ฑ๐—ฒ๐—ป๐˜๐—ถ๐˜๐˜† ๐—•๐—ฒ๐—ฐ๐—ผ๐—บ๐—ฒ๐˜€ ๐—”๐˜๐˜๐—ฎ๐—ฐ๐—ต๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ฆ๐˜๐˜†๐—น๐—ฒ
For many practitioners, their martial art isn't just a hobbyโ€”it's part of their identity.
If someone spends ten years training in one style, hearing praise for another system can sometimes feel like criticism of their own.
Instead of asking: "What can I learn from this?", They begin asking "How can I prove this is inferior?"
The conversation shifts from learning to defending tribal loyalties.

๐—Ÿ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ณ๐—ผ๐—ฟ ๐—”๐—ฏ๐˜€๐—ผ๐—น๐˜‚๐˜๐—ฒ ๐—”๐—ป๐˜€๐˜„๐—ฒ๐—ฟ๐˜€
People naturally like simple answers.
They want to believe there is one perfect martial art that solves every problem.
Reality is much less exciting.
Every system was developed for particular purposes, under particular rules, in particular environments.
Boxing excels at developing hands.
Wrestling develops balance, pressure, and takedowns.
Brazilian Jiu-Jitsu develops ground control and submissions.
Judo develops throws and clinch work.
Karate develops striking fundamentals, timing, and explosive power.
Traditional Kung Fu often develops body mechanics, structure, coordination, and movement principles.
Filipino Martial Arts emphasize weapon awareness and transition skills.
Kajukenbo was literally created by combining multiple systems because its founders believed no single art had every answer.
Different goals create different training methods.

๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฅ๐˜‚๐—น๐—ฒ๐˜€ ๐—ฆ๐—ต๐—ฎ๐—ฝ๐—ฒ ๐—ฃ๐—ฒ๐—ฟ๐—ฐ๐—ฒ๐—ฝ๐˜๐—ถ๐—ผ๐—ป
One of the biggest mistakes people make is assuming success under one rule set automatically determines effectiveness everywhere else.
MMA is outstanding for testing a broad combination of skills under its rules.
Boxing is exceptional under boxing rules.
Judo is exceptional under judo rules.
Olympic Taekwondo is exceptional under Olympic Taekwondo rules.
Each environment rewards certain tactics while limiting others.
That doesn't make the excluded skills worthlessโ€”it simply means they weren't part of the game's objectives.
A firefighter isn't judged by a swimming competition.
A swimmer isn't judged by climbing mountains.
Different jobs require different tools.

๐—•๐—ฎ๐—ฑ ๐—ฆ๐—ฐ๐—ต๐—ผ๐—ผ๐—น๐˜€ ๐——๐—ผ๐—ป'๐˜ ๐——๐—ฒ๐—ณ๐—ถ๐—ป๐—ฒ ๐—˜๐—ป๐˜๐—ถ๐—ฟ๐—ฒ ๐—”๐—ฟ๐˜๐˜€
Nearly every martial art has poor instructors.
A bad karate school doesn't invalidate Karate.
A poor Brazilian Jiu-Jitsu academy doesn't invalidate BJJ.
A fake kung fu instructor doesn't invalidate centuries of Chinese martial development.
A terrible Krav Maga program doesn't invalidate realistic self-protection training.
Unfortunately, people often judge an entire system based on the worst example they can find online.
Imagine judging all restaurants after eating at the worst one in town.

๐—˜๐—ป๐˜๐—ฒ๐—ฟ๐˜๐—ฎ๐—ถ๐—ป๐—บ๐—ฒ๐—ป๐˜ ๐—œ๐˜€๐—ป'๐˜ ๐—”๐—น๐˜„๐—ฎ๐˜†๐˜€ ๐—˜๐—ฑ๐˜‚๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป
Many viral videos are produced primarily for entertainment.
They feature exaggerated attacks.
Cooperative demonstrations.
Students with little resistance.
Clickbait titles.
Then viewers conclude:
"See? The whole style is fake."
What they're often seeing isn't representative of the art.
They're seeing poor demonstrations, inexperienced instructors, or content designed for views rather than education.

๐—–๐—ผ๐—ป๐—ณ๐—ถ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—•๐—ถ๐—ฎ๐˜€ ๐—œ๐˜€ ๐—ฃ๐—ผ๐˜„๐—ฒ๐—ฟ๐—ณ๐˜‚๐—น
Once someone believes an art is ineffective, they begin collecting evidence that confirms their opinion.
Every bad demonstration reinforces it.
Every failed technique becomes proof.
Every success by that same art gets dismissed as luck or attributed to the individual rather than the training.
Psychologists call this confirmation biasโ€”our tendency to notice evidence that supports what we already believe while ignoring evidence that challenges it.
Martial artists are just as susceptible to this as anyone else.

๐— ๐—ผ๐˜€๐˜ ๐—˜๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ๐—ฑ ๐— ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—•๐—ฒ๐—ฐ๐—ผ๐—บ๐—ฒ ๐— ๐—ผ๐—ฟ๐—ฒ ๐—ข๐—ฝ๐—ฒ๐—ป-๐— ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฑ
Interestingly, the longer many people train, the less likely they are to dismiss entire systems.
Experienced instructors often recognize that every style has something valuable to offer.
They ask questions.
They cross-train.
They borrow ideas.
They adapt.
Rather than saying:
"My style has all the answers."
They say:
"What problem was this system trying to solve?"
That's a much more productive question.

๐—ฅ๐—ฒ๐—ฎ๐—น ๐—™๐—ถ๐—ด๐—ต๐˜๐—ถ๐—ป๐—ด ๐—œ๐˜€ ๐— ๐—ฒ๐˜€๐˜€๐˜†
Violence doesn't care about style labels.
Under stress, success depends on many factors:
Awareness
Timing
Distance
Decision-making
Fitness
Experience
Emotional control
Adaptability
Technique mattersโ€”but so do the person using it and the circumstances surrounding the encounter.
No style can guarantee victory.
No style guarantees failure.

๐—ฅ๐—ฒ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜ ๐——๐—ผ๐—ฒ๐˜€๐—ป'๐˜ ๐— ๐—ฒ๐—ฎ๐—ป ๐—•๐—น๐—ถ๐—ป๐—ฑ ๐—”๐—ฐ๐—ฐ๐—ฒ๐—ฝ๐˜๐—ฎ๐—ป๐—ฐ๐—ฒ
Respecting another martial art doesn't require pretending every technique is perfect.
Critical thinking is healthy.
Testing techniques is healthy.
Pressure-testing training methods is healthy.
But there's a difference between honest evaluation and dismissing an entire martial tradition because of a handful of videos online.
One approach seeks understanding.
The other seeks validation.
๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜๐˜€
The martial arts world has always been diverse. That diversity is one of its greatest strengths.
Every system represents generations of practitioners attempting to solve the challenges of combat, self-defense, sport, personal development, or cultural preservation. Some emphasize striking, others grappling, weapons, movement, competition, or philosophy. None are perfect, and none are entirely without value.
The strongest martial artists are rarely the loudest critics. They tend to be the ones who train consistently, remain curious, and recognize that skill is built through effortโ€”not through belittling someone else's path.
Instead of asking, "Which martial art is bu****it?"
Perhaps the better question is:

"๐—ช๐—ต๐—ฎ๐˜ ๐—ฐ๐—ฎ๐—ป ๐˜๐—ต๐—ถ๐˜€ ๐—บ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—ฎ๐—ฟ๐˜ ๐˜๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—บ๐—ฒ ๐˜๐—ต๐—ฎ๐˜ ๐—œ ๐—ฑ๐—ผ๐—ป'๐˜ ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† ๐—ธ๐—ป๐—ผ๐˜„?"
That mindset has built better martial artists for centuriesโ€”and it still does today.

07/05/2026

Dynamic Dojo TV is BACK! today Sunday 7/5/26 at 3:00 PM Pacific. Restita Dejesus is back with Dynamic Dojo Talk TV! Today she talks about whats been going on in her world lately, and looks at Grandmaster Bram Frank's knife series brand, the Abaniko 2.

Come back to Restita DeJesus's personal profile page at 3 pm to chat! (not this page)
https://facebook.com/live/producer/schedule/

Want your school to be the top-listed School/college in Seattle?
Click here to claim your Sponsored Listing.

Category

Telephone

Address

Seattle, WA

Opening Hours

Monday 5pm - 8pm
Tuesday 4:30pm - 8:30pm
Wednesday 5pm - 8pm
Thursday 4:30pm - 8:30pm
Saturday 10am - 3pm

Alerts

Be the first to know and let us send you an email when Seattle Wushu Center posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Subscribe

We will notify you when anything happens in Seattle.