Reliq-Instruments
Route, Sequence And Control All Of Your Music Production Gear With Reliq
8 voices, 1 megadrone 🔊
Using Reliq's Custom Output Routing with
Befaco's Pony VCOs, Pony VCFs, and Iroi to give the drone as much body as possible.
The DAW doesn't have to be controlled separately from the hardware. Connecting Reliq and Bitwig via U-SYNC makes sure recording, working with clips, and controlling FX is exactly as precise when done from either Reliq or Bitwig🤝
Bitwig 6.1 comes with a Reliq extension and every Reliq includes a Bitwig 8-track license, so your flow stays together undisturbed.
1 sequencer track / (4 Eurorack oscillators + 1 FM synth) = 1 eight-voice hybrid polysynth? Yes. 🎹
On Reliq you can now split a single sequencer track's eight voices across whichever outputs you want. Basically, build your own polysynth out of almost anything in your setup.
Instead of rebuilding a tangle of cables and MIDI settings every time, you save the whole configuration as a custom instrument and load it whenever you need it.
Channeling our inner Dr. Frankenstein 🧑⚕️ (Dr. stands for Drum)
On Reliq you can now send each of the sixteen drum sounds to wherever it actually lives, MIDI channels for the drum machine, Gate outputs for the Eurorack modules, and USB if part of the kit is on the computer. All of it plays from one track, so you've essentially assembled a custom drum kit out of gear you already own.
Then you save it with a name, and the whole thing loads into any project as one instrument.
Full demo here 👉 https://www.youtube.com/watch?v=CEYMdhTxyk4
Summer might be almost over but we're keeping it hot with our fifth major OS update this year 🔥
Rlx 1.9.0 brings a completely new realm of possibilities for composing with the Custom Output Routings feature. Until now a Reliq track played one thing, a MIDI instrument, a USB destination, or a CV voice.
Now tracks, Automations, MIDI LFOs and Envelopes can all be routed to any combination of MIDI, USB MIDI, CV and Gate outputs. Four voices can drive your Eurorack oscillators while the other four play an FM synth.
Save the whole thing with a name and it becomes an instrument you can load into any project.
And that's not all:
Drum routing: send all sixteen drum sounds to different outputs
Freely assign CV LFOs and Envelopes
Sheet Navigation: zoom out and jump to any part of a long clip
Loop Range: loop just one section of a longer sequence
Plus a redesigned Clip page, Key Detection, and more.
Full demo here 👉 https://www.youtube.com/watch?v=CEYMdhTxyk4
Turns out one little pattern was hiding a whole stack of melodies. 🎹
MonoMaker lets you pick which note in a polyphonic sequence your mono synth actually plays. Switch the priority from the first to the last note and the exact same pattern whips up a completely different groove.
Same notes in, endless grooves out 👌
22/07/2026
Before Reliq could unify a studio or a live setup, it first had to unify itself.
We used to think of architecture as an invisible technical choice, and in many ways it is. You do not see it, but you feel it when the screen can show everything that is happening without making the clock nervous, or when the matrix switches without the digital side leaking into the analog path.
Most of all, we felt it when many different musical worlds began behaving as if they belong to the same instrument. But, oh boy, did it take us some time to get there.
Part 2 of our "Why Reliq took 5 years to build" series is out, and it covers Their Majesty the Architecture.
Read it here 👉 https://reliq-instruments.com/blogs/blog/why-reliq-took-5-years-to-build-part-2-architecture?utm_source=facebook&utm_medium=organic_social&utm_campaign=reliq_story_pt2&utm_content=jul26_post
Reliq has always been about giving you precise control over your whole setup. Rlx 1.8.0 leans right into that, from bulk parameter changes to nitty-gritty note edits, clip sequencing, and both automated and manual triggers. The point is, you get to adjust each aspect, whether you're producing in studio or performing live.
Here's what's new:
🔹Select mode: grab groups of steps, tracks, or clips and change them in one move
🔹Clip Sync: each clip changes on the timing you choose
🔹Ratchet and accumulator triggers: choose when each is triggered
🔹MonoMaker: turn a polyphonic output into a single melodic line
Plus a metronome, display enhancements, and a good few smaller things. Have a look at everything in the demo 👉 https://youtu.be/acDFEOmwoLw
You got your Reliq, it's open and plugged in... Now what? 🤔
We've started a new series of tutorial videos where we go from pressing the power button to becoming a power user.
Part 1 takes you through the main pages and and how to build small hybrid patch from start to finish.
👉 Link in bio
26/06/2026
5 years of Reliq 💙
Five years since the first screw, or really the first piece of duct tape, went into the very first Reliq prototype. What started as one conversation about timing is now a full instrument sitting at the center of so many setups, and we still can't quite believe how far it's gone.
It's been an insane journey, full of ups, downs, and a lot of deep engineering struggles we never had the time to talk about. So we're finally starting to: we've opened a new blog for the longer, more technical, genuinely exciting (to us) parts of the story. Part 1 is where it all began, the clock.
Read it here: https://reliq-instruments.com/blogs/blog/why-reliq-took-5-years-to-build-part-1-time-keeping-clock?utm_source=facebook&utm_medium=organic_social&utm_campaign=reliq_story_pt1&utm_content=anniversary
Thank you for being here from the very first beat 🙏
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