OUTER SPACE PRESS

We are excited to be in London this week, invited by our friends and contributing to the representation of Polish photobook publishers and artists at

You can find us and our books upstairs at P14 booth in the book market area.

Our participation in the Fair is supported by Adam Mickiewicz Institute, Polish Institute in London and co-financed by Ministry of Culture and National Heritage of Republic of Poland.

Calculating our remaining stock today, we have a big announcement 🚨 last copies of “36 Potplants” by .magdalena and are still available in our Webshop. We will be traveling with limited amounts of copies this year to a couple of fairs, few will make it to two of our favorite bookshops and but make sure to secure yours before they are all gone.

Big thank you to everyone who supported this project and purchased a copy ✨♥️

Link to the Webshop is in our bio
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Magda and Claudio

This weekend two of our recent titles (last copies of “36 Potplants” and “dead pages no.5) are available to purchase at in a curated bookshop section “ctrl+p”.
We are thrilled to have our work presented in the impressive location and amongst countless great works on paper.

The Fair is open today and tomorrow 11—6pm at Platz der Luftbrücke 7, in the impressive location of Tempelhof’s Airport Main Hall.

Come by! ♥️

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.magdalena

A recent lovely feature in Idea Magazine arrived a little while ago all the way from Tokyo ⛩️ “Fault Lines in Printing History. Risograph and the Future of Bookmaking.” We are thrilled to be featured amongst many amazing international studios and artists.

♥️♥️♥️

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magdalena / /

We are excited about this new addition to our catalogue. We launched “36 Potplants” at Tokyo Art Book Fair in December and now the book is available in our Webshop.

“At the root of 36 Potplants lie 36 original artworks by .magdalena and . Each original piece is composed from two separate Risograph prints of potplants: the prints are made on canvas, then cut apart and hand-stitched together. The source material for these prints comes from a modest booklet titled “Topfpflanzen 1,” published in 1977 by ZBE – Berlin Flowers.”

To read more about this little edition of 150 copies head to our Webshop / linked in our profile description

Dead Pages No. 5: Parasites unfolds as an interspecies collaboration carved by bugs and completed by and .magdalena . In its fifth iteration, Dead Pages turns its attention to the strange intimacies between decay and desire. Parasite begins with a chance discovery: a Chinese manuscript from 1898, found by .magdalena and and Pogo in Tokyo’s Jimbo-cho neighborhood. The object itself was already transformed, its pages meticulously tunneled by an unknown insect. The bug’s silent labor etched filigrees through the paper, never touching the ink, as if respecting language while feasting on its vessel. From this devoured relic, the artists constructed a new book-object: a hybrid work where paper, image, and absence intertwine. Into the eroded manuscript they inserted images from a 1970s entomological dictionary—a taxonomy of the creatures that consume, preserve, and annotate through destruction. The resulting work, rephotographed and reassembled, forms the tactile architecture of Dead Pages No. 5.

Read more and grab yourself a copy, available now through our Webshop (linked in our profile description)

♥️

This new issue of the dead pages, (no.5!) is now available through our Webshop.

Dead Pages No. 5: Parasites unfolds as an interspecies collaboration carved by bugs and completed by and .magdalena . In its fifth iteration, Dead Pages turns its attention to the strange intimacies between decay and desire. Parasite begins with a chance discovery: a Chinese manuscript from 1898, found by .magdalena and and Pogo in Tokyo’s Jimbo-cho neighborhood. The object itself was already transformed, its pages meticulously tunneled by an unknown insect. The bug’s silent labor etched filigrees through the paper, never touching the ink, as if respecting language while feasting on its vessel. From this devoured relic, the artists constructed a new book-object: a hybrid work where paper, image, and absence intertwine. Into the eroded manuscript they inserted images from a 1970s entomological dictionary—a taxonomy of the creatures that consume, preserve, and annotate through destruction. The resulting work, rephotographed and reassembled, forms the tactile architecture of Dead Pages No. 5.

Read more and grab yourself a copy, available now through our Webshop (linked in our profile description)

♥️

Arriving back in Berlin after two weeks in Tokyo feels a little hard, but thankfully we found something really exciting waiting for us in four postbox—an article about us and a review of “And Then There Was the Night” by Diane Smyth in the latest issue of the British Journal of Photography

We are humbled and proud to finish the year with this prominent feature. Thank you Diane for inviting us for a lovely chat about our practice, studio and books, it’s been a true pleasure.

Grab yourself a copy to read more! 🤍

Tokyo Art Book Fair day one is behind us!
We are so happy to be back. Thank you to everyone who stopped by for a chat and bought a book today!

See you tomorrow 11—6pm, Exhibition Space, Table 431

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Our participation in this years Fair is kindly supported by ♥️