Mikula
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Cinematic Storyteller & Creative Producer 🎥
📍Cologne CNG, creating worldwide 🎬
I think I‘m trippin‘ 😮💨
Still in Love.
Directed & shot by .thome
Featuring .soulspace
Filmed at
06/08/2026
Suffering isn't optional. Choosing what you suffer for is.
57 hours of production in 9 days. My recovery score didn’t see green once. Life running at full speed alongside it, including the heavy parts.
I'm not sharing this as a complaint. I chose it, and that's the whole distinction. Everyone pays for the life they build. Comfortable jobs cost something too, just in a different currency.
The question was never how to avoid the hard part. It's which hard part you actually want.
Mine is this one, 10 out of 10.
What did you choose yours for?
📸: Marly - Cologne / Amsterdam Photographer ★
Werbung | Nicht die Technik. Nicht das Equipment. Der Gedanke, dass es noch nicht gut genug ist.
Mein Gegenmittel: Systeme, die keine Ausreden zulassen. Cover in Canva in unter zwei Minuten, Markenkit statt Schriften-Suche, ein Klick fürs Freistellen. Wenn der Weg vom Edit zum Post kurz ist, gewinnt das Machen gegen das Zweifeln.
Anfangen schlägt perfekt. Jedes Mal.
05/03/2026
ꜰᴇʙʀᴜᴀʀʏ.
got myself my first car
moving in the office
thankful for 60k 🫶🏼
hyrox prep going on
fuerte production
kiddo visiting
ɪɴᴘᴜᴛ = ᴏᴜᴛᴘᴜᴛ.
Our results aren’t defined by how hard you push at the end; they’re defined by what you consistently let into your system.
For creatives, that means treating your inputs with intention.
The sounds you choose.
The textures you layer.
The tools you rely on every single edit.
That’s why has been part of my workflow for years.
Not because I need more assets, but because better inputs quietly raise the baseline of everything I create.
Going into 2026, remember:
you don’t need more effects.
You need better ones.
ᴄᴏɴɴᴇᴄᴛɪɴɢ ꜱᴏᴜɴᴅꜱ.
Ad. | To me, sound design is what makes separate clips feel like they belong together.
I treat sound design as part of the storytelling process and not as a layer of polish at the end.
Swipe through to hear how it connects the moments.
When it comes to audio built for cinematic storytelling, you will not find anyone better than .
Their assets are designed with intention: cohesive, supportive of the visuals, and as cinematic as it gets.
ꜱᴏᴜɴᴅ ɪꜱ ꜱᴛʀᴜᴄᴛᴜʀᴇ.
Sound design isn’t added. It’s built. | Ad
What makes an edit feel cinematic is rarely a single sound.
It’s the way music, hits, whooshes, and accents are designed to work together.
This is why I choose sound libraries that are built with storytelling in mind - not just effects in isolation.
What sets apart for me is how intentionally everything is curated:
the music, transitions, and effects are designed to layer seamlessly from the start.
Build the sound with intention.
Let the visuals do the rest.
Go to lensdistortions.com and you’ll immediately see why I love them.
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Cologne
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