PortGallery

We are thrilled to present our upcoming collective exhibition featuring five distinct voices in Contemporary Art.

Vernissage- 16/10
Exhibition Date - 14/10 to 27/10

Come join us for the Vernissage 🤍

A night of Art, dialogue and cultural connection🥂

Bringing together 5 execptional artists, this special exhibition at Port Gallery Barcelona is a Part 5 of Vienna in Barcelona , a beautiful Collaboration with the 🗺 thegallerysteiner 🇦🇹 .

Thank you to everyone who joined us to celebrate the Art and Artists 🤍

The exhibition runs from 1/09 until 28/09
Don’t miss the chance to experience it yourself!

Meet the artists of ’Vienna in Barcelona‘ Part ~5
Swipe through to discover the Five artists behind the exhibition, each bringing their own language of color, texture and story to the show.

In Collaboration with 🗺 thegallerysteiner 🇦🇹

Join us 🥂 for the Vernissage on 4th Sep , 7 PM
On view 1-28 Sep at Port Gallery Barcelona

We are absolutely delighted to announce the official winner of the first edition of our art contest, , whose artwork ‘Mercado de Ruzafa’ won over the jury and earned her first place🏆

🎨 We would like to express our heartfelt thanks to the many artists who took part in this first edition.

🥂 We look forward to seeing you today from 7 pm to celebrate the closing of the contest.

Image: Nuria Garrigós “Mercado de Ruzafa”, 2026, Oil on canvas, 60x80.

Monday was the vernissage of our new exhibition. We were pleased to welcome artists from Pitturiamo during their art tour 🌎 Come and discover these many talented artists ! 🌟

Come and discover the exhibition « Voces de la diversidad » - Arte contra la intolerancia ! You have until the end of June to see paintings from artists 🌟

Opening Reception: May 26th, at 6:30 PM From May 26th to May 29th, 2026PORT GALLERY – Carrer Josep Anselm Clavé 13, 08002, Barcelona Origami is the antithesis of war. It is an act of patience, a ritual of care that transforms humble material into spirit. Yet, in contemporary society, this symbol of peace has been violated. In « Transaction 644 », ADGART explicates the most atrocious paradox of our time: aesthetics becoming an accomplice to destruction.

Here, origami is no longer a contemplative object but a vector. It is the human hand that carefully folds paper to « deliver » death. By juxtaposing the lightness of Sadako Sasaki’s crane with the steel weight of landmines and missiles, the artist reveals the nature of our social crisis: a « transaction » where we have traded the time of ritual for the efficiency of slaughter. The missile and the mine are no longer foreign bodies; they become an integral part of the origami’s structure—parasites of a beauty that can no longer fly free.

ADGART presents us with a choice: to continue looking at the colorful surface or to recognize the payload we are agreeing to carry. A reflection on mindfulness as the ultimate defense against social anesthesia.