Type.today

Rooftop by Interval Type updated!

What happens if you place American humanist grotesques of the 20th century (such as Lining Gothic) into the world of tech startups of the 21st? You get a collection of slightly squarish forms, squared ovals, and brutal design — that’s Rooftop’s answer

Back in 2020, Rooftop was a single family with 16 weights. It has now expanded into six families, 96 weights, plus a variable font

https://type.today/en/journal/rooftop_upd

New typeface: Factor B by Interval Type

Factor B seems more rational than Factor A. However, the Altiverse set, with its wide selection of geometrically structured alternates partly inspired by the typography of the analogue synth era, might make you reconsider. These alternates are a perfect way to add more personality to your titles and logos. Factor B works well at both display and text sizes, offering six styles ranging from Light to Black

https://type.today/en/journal/factorb

Factor A by Interval Type just got an update 💫

Factor A, inspired by early 20th-century sans serif designs, has expanded into a versatile family of four typefaces, each offering 7 weights. The family now includes new ligatures, two alternate sets for lowercase letters, and the option to use more neutral forms of f and t. Factor A is also available as a three-axis variable font, packing all 56 styles into one file

https://type.today/en/journal/factora_upd

New typeface: Oceanic Gothic by Interval Type

Oceanic Gothic was conceived as a sans serif counterpart to the Oceanic and Oceanic Text serif font families aiming to echo the distinctive design elements of individual letters found in Oceanic Display and creating unified typographic personalities

Oceanic Gothic contains 6 weights and 12 styles ranging from Light to Poster, accompanied by corresponding italics plus a variable font

https://type.today/en/journal/oceanicgothic

New typeface in the Oceanic collection by Interval Type
This time it’s a grotesque!

The concept behind Oceanic Grotesk was to craft a sans-serif companion to the Oceanic and Oceanic Text serif font families, establishing cohesive personalities without replicating individual letter designs

Oceanic Grotesk and Oceanic Text share identical vertical metrics for effortless use in continuous text strings or titles

https://type.today/en/journal/oceanicgrotesk

Evgeny Dobrovinsky
July 30, 1944 — August 27, 2024

New typeface in our collection: Oceanic Mono by Interval Type 🖤

Oceanic Text Mono preserves the idiosyncratic details and charm of the Oceanic and Oceanic Text families while adhering to a fixed-width structure. Ideal for coding, tabular data, and technical documents, the monospaced version offers a blend of readability and unique design

https://type.today/en/journal/oceanic_text_mono

Oceanic and Oceanic Text by Interval Type just got an update 🐚

Inspired by 18th and 19th-century fat faces like Bodoni and Scotch Romans, Oceanic and Oceanic Text blend upright contrast with playful details. Now, both families include italics with swashy alternates 👀

https://type.today/en/journal/oceanic_upd

Talked to the founder of OH no, James Edmondson, about social media detox, competition between type foundries, and building love

https://type.today/en/journal/jamesedmondson

Arquibancada — which is Portuguese for ‘stands’ — is a magazine issued by the Museu de Futebol based in the city of São Paulo

Designer Lucas Blat used Navigo by CSTM fonts to set the magazine’s logo and headlines and applied Source Serif Pro by Frank Grießhammer to its body text

https://type.today/en/journal/arquibancada