Project CIRCE

Project CIRCE

Share

Inclusive valorisation model for controversial cultural heritage in the Mediterranean Harbours and beyond.

Horizon Europe - Marie Skล‚odowska-Curie Staff Exchanges

Photos from Project CIRCE's post 05/08/2026

THIS IS NOT A PHOTO DUMP! โ€” vol. II in Macerata & Marche๐Ÿ“ ยท 20โ€“22 July 2026 ยท week two

During the first week, we read the Marche's uncomfortable art and architecture. On week two, we turned the lens on ourselves โ€” the people, the research and the community behind CIRCE, here's the short recap of it...

๐Ÿ‘‡๐Ÿ‘‡

We began the week on Monday, 20th of July, with a focus group with African and Afro-descendant community in Macerata on Unimc / Universitร  degli Studi di Macerata. A project about who gets written out of the picture has to start by listening to the people living it โ€” so that is where the second week began.

At Incontri dal direttore (Tue 21 July), CIRCE members presented the research we carried out in Tunis during previous months, both from UNIMC and Mdinti-ู…ุฏูŠู†ุชูŠ, and what those archives add to the story we had been tracing across the Marche.

The next day (Wed 22 July) we were participating on networking pitch event hosted by our CIRCE partner HULU Split, online and in person at once. We closed the day raising a glass to twenty years of the Scienze della formazione, dei beni culturali e del turismo / Unimc

Two weeks, one question โ€” who does society choose to remember, and who does it leave out? The fieldwork is done; the questions aren't.

๐Ÿ‡ช๐Ÿ‡บ Funded by the European Union.

Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Research Executive Agency (REA).

Photos from Project CIRCE's post 29/07/2026

๐Ÿ“ Macerata & the Marche ยท 11โ€“18 July 2026 ยท
What does a society choose to remember in its churches, museums and streets โ€” and what does it quietly leave out? We had two weeks in the Marche to find out โ€” here's the recap of the first week. ๐Ÿ‘‰

It began in Urbino (Sat 11 July), before Paolo Uccello's "Miracle of the Profaned Host" โ€” an anti-Jewish legend staged as devotion.

Back in Macerata (Mon 13 July) we mapped the city with the people who live it, then went to Petriolo, where Mariano showed us paintings by De Magistris and Durante Nobili: the Holy League's victory at Lepanto, with Ottoman captives โ€” slaves โ€” beneath the triumph.

We pulled the same thread to Grottammare (Tue 14 July), to the Church of Pope Saint Pius V, with Mattia Guidetti โ€” who, later that day back in UNIMC Universitaฬ€ di Macerata gave a talk on the captured Ottoman banners, taken in battle and still kept in some Marche churches.
In Senigallia (Wed 15 July), Mr. Remo Morpurgo, of the city's Jewish community, traced its fate across the centuries through the former ghetto and the synagogue. Then Mauro Saracco (Thu 16 July) read Macerata's fascist architecture with us, before we took to the streets for a decolonial walk โ€” and closed the week.

Contested history isn't far away โ€” it's on the wall of the church next door, the next door's building. ๐Ÿ‘‡

To be continuedโ€ฆ

CIRCE representatives from Unimc / Universitร  degli Studi di Macerata Scienze della formazione, Beni Culturali e Turismo-UNIMC, Pwani University of Mombasa Pwani University, Mdinti Mdinti-ู…ุฏูŠู†ุชูŠ
HULU Split hulu_split and University of Madrid have participated in these events.

Funded by the European Union๐Ÿ‡ช๐Ÿ‡บ MSCA

Photos from Project CIRCE's post 29/07/2026

๐Ÿ“ Macerata & the Marche ยท 11โ€“18 July 2026 ยท

What does a society choose to remember in its churches, museums and streets โ€” and what does it quietly leave out? We had two weeks in the Marche to find out โ€” here's the recap of the first week. ๐Ÿ‘‰

It began in Urbino (Sat 11 July), before Paolo Uccello's "Miracle of the Profaned Host" โ€” an anti-Jewish legend staged as devotion.

Back in Macerata (Mon 13 July) we mapped the city with the people who live it, then went to Petriolo, where Mariano showed us paintings by De Magistris and Durante Nobili: the Holy League's victory at Lepanto, with Ottoman captives โ€” slaves โ€” beneath the triumph.

We pulled the same thread to Grottammare (Tue 14 July), to the Church of Pope Saint Pius V, with Mattia Guidetti โ€” who, later that day back in Unimc / Universitร  degli Studi di Macerata, gave a talk on the captured Ottoman banners, taken in battle and still kept in some Marche churches.


In Senigallia (Wed 15 July), Mr. Remo Morpurgo, of the city's Jewish community, traced its fate across the centuries through the former ghetto and the synagogue. Then Mauro Saracco (Thu 16 July) read Macerata's fascist architecture with us, before we took to the streets for a decolonial walk โ€” and closed the week.

Contested history isn't far away โ€” it's on the wall of the church next door, the next door's building. ๐Ÿ‘‡

To be continuedโ€ฆ

CIRCE representatives from Unimc / Universitร  degli Studi di Macerata, Pwani University of Mombasa, Mdinti-ู…ุฏูŠู†ุชูŠ
HULU Split and University of Madrid have participated in these events.

Funded by the European Union๐Ÿ‡ช๐Ÿ‡บ

17/07/2026

๐๐ž๐ญ๐ฐ๐จ๐ซ๐ค๐ข๐ง๐  ๐๐ข๐ญ๐œ๐ก ๐„๐ฏ๐ž๐ง๐ญ โ€” ๐‡๐”๐‹๐”-๐’๐ฉ๐ฅ๐ข๐ญ & ๐‚๐ˆ๐‘๐‚๐„
As part of our ๐‚๐ˆ๐‘๐‚๐„ ๐ฉ๐ซ๐จ๐ฃ๐ž๐œ๐ญ (Marie Skล‚odowska-Curie Actions), HULU-Split invites you to an afternoon celebrating Split's contemporary visual-arts scene โ€” and to building new connections across the CIRCE partnership. hulu_split

๐Ÿ“… ๐–๐ž๐๐ง๐ž๐ฌ๐๐š๐ฒ, ๐Ÿ๐Ÿ ๐‰๐ฎ๐ฅ๐ฒ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” ยท ๐Ÿ๐Ÿ•:๐ŸŽ๐ŸŽโ€“๐Ÿ๐Ÿ–:๐Ÿ’๐Ÿ“ (๐‚๐„๐’๐“)
๐Ÿ“ ๐‘๐จ๐จ๐ฆ ๐Ÿ–, ๐๐จ๐ฅ๐จ ๐‹๐ฎ๐ข๐ ๐ข ๐๐ž๐ซ๐ญ๐ž๐ฅ๐ฅ๐ข, ๐•๐š๐ฅ๐ฅ๐ž๐›๐จ๐ง๐š โ€” Universitร  degli Studi di Macerata Scienze della formazione, Beni Culturali e Turismo-UNIMC

๐Ÿ”— Join online โ€” link in bio

๐๐ซ๐จ๐ ๐ซ๐š๐ฆ๐ฆ๐ž
17:00 โ€” ๐ˆ๐ง๐ญ๐ซ๐จ๐๐ฎ๐œ๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐‡๐”๐‹๐”-๐’๐ฉ๐ฅ๐ข๐ญ & ๐ž๐ฑ๐ก๐ข๐›๐ข๐ญ๐ข๐จ๐ง ๐ฉ๐ซ๐จ๐ ๐ซ๐š๐ฆ๐ฆ๐ž / ๐€๐ซ๐ญ-๐†๐จ ๐š๐ฎ๐๐ข๐ž๐ง๐œ๐ž-๐๐ž๐ฏ๐ž๐ฅ๐จ๐ฉ๐ฆ๐ž๐ง๐ญ ๐ฉ๐ซ๐จ๐ฃ๐ž๐œ๐ญ ยท Ivor Igrec
17:20 โ€” ๐Ÿ’๐Ÿ๐ง๐ ๐’๐ฉ๐ฅ๐ข๐ญ ๐’๐š๐ฅ๐จ๐ง (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ’): ๐‘๐ž๐ ๐ž๐ง๐ž๐ซ๐š๐ญ๐ข๐จ๐ง ยท Jasmina ล ariฤ‡
17:35 โ€” ๐๐ซ๐จ๐ ๐ซ๐š๐ฆ ๐Ÿ๐Ÿ๐ŸŽ: ๐•๐ž๐ง๐ข๐œ๐ž ๐๐ข๐ž๐ง๐ง๐ข๐š๐ฅ ๐ข๐ง ๐’๐ฉ๐ฅ๐ข๐ญ ยท Boลพo Kesiฤ‡
17:50 โ€” ๐๐š๐ซ๐ญ๐ง๐ž๐ซ๐ฌ๐ก๐ข๐ฉ ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ž ๐…๐š๐œ๐ฎ๐ฅ๐ญ๐ฒ ๐จ๐Ÿ ๐‡๐ฎ๐ฆ๐š๐ง๐ข๐ญ๐ข๐ž๐ฌ & ๐’๐จ๐œ๐ข๐š๐ฅ ๐’๐œ๐ข๐ž๐ง๐œ๐ž๐ฌ ๐š๐ง๐ ๐†๐š๐ฅ๐ฅ๐ž๐ซ๐ฒ ๐™๐จ๐ฃ๐š ๐ƒ๐ฎ๐ฆ๐ž๐ง๐ ๐ฃ๐ขฤ‡ ๐ฐ๐ข๐ญ๐ก ๐Š๐๐‚ ๐’๐ฉ๐ฅ๐ข๐ญ โ€” ๐‘๐„๐๐„๐‘ ๐๐ซ๐จ๐ฃ๐ž๐œ๐ญ ยท Dalibor Pranฤeviฤ‡, PhD
18:05 โ€” ๐“๐ฐ๐จ ๐š๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ ๐ข๐ง ๐œ๐จ๐ง๐ฏ๐ž๐ซ๐ฌ๐š๐ญ๐ข๐จ๐ง, ๐š๐ซ๐ญ๐ข๐ฌ๐ญ-๐ฅ๐ž๐ ๐ฐ๐จ๐ซ๐ค๐ฌ๐ก๐จ๐ฉ ๐ฉ๐š๐ซ๐ญ๐ข๐œ๐ข๐ฉ๐š๐ง๐ญ๐ฌ ยท Nina Kuzmiฤ‡ & Josip ล urlin
18:30 โ€” Q&A
(Ends approx. 18:45)

See you there โ€” online or in Macerata ๐ŸŽจ

โ€”

Expect a close look at how we work: our exhibitions and audience-development projects, the historic Split Salon, our Venice Biennial programme, and the REPER project โ€” a partnership with the Faculty of Humanities & Social Sciences and Gallery Zoja Dumengjiฤ‡ with KBC Split. Plus two of our artists in conversation about their practice and our artist-led workshops.
More than presentations โ€” it's an invitation to get to know one another and imagine projects we can build together.
The event is ๐ก๐ฒ๐›๐ซ๐ข๐: join us in Macerata or online via Microsoft Teams.

FUNDED BY THE EUROPEAN UNION

16/07/2026

๐Ÿ“ ๐—œ๐—ป๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ถ ๐—ฑ๐—ฎ๐—น ๐——๐—ถ๐—ฟ๐—ฒ๐˜๐˜๐—ผ๐—ฟ๐—ฒ โ€” ๐Ÿญ๐Ÿณ๐˜๐—ต ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ด
We are pleased to announce that next week we will have an interdisciplinary conversation on the department's ongoing research. This session focuses on ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ถ๐—ป ๐—ง๐˜‚๐—ป๐—ถ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—–๐—œ๐—ฅ๐—–๐—˜ ๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜.

๐Ÿ—ฃ๏ธ Speakers: Filippo Pistocchi, Patrizia Dragoni, Rosita Deluigi, Giuseppe Capriotti, Imen Wanen, Firas Khlifi and Aziz Sanhaji.

๐Ÿ“… ๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿฎ๐Ÿญ ๐—๐˜‚๐—น๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ยท ๐Ÿฐ:๐Ÿฌ๐Ÿฌ ๐—ฃ๐— 
๐Ÿ“ Director's Office, 2nd floor โ€” Polo Bertelli, University of Unimc / Universitร  degli Studi di Macerata
For the department's academic community.

Department of Education, Cultural Heritage and Tourism โ€” UniMC | ๐Ÿ‡ช๐Ÿ‡บ Funded by the European Union

15/07/2026

๐Ÿ›๏ธ ๐—ฆ๐—ฒ๐—บ๐—ถ๐—ป๐—ฎ๐—ฟ | ๐—” ๐˜„๐—ฎ๐—น๐—ธ ๐—ฏ๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—˜๐—ฐ๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ฐ๐—ถ๐˜€๐—บ ๐—ฎ๐—ป๐—ฑ ๐—ก๐—ฒ๐—ผ-๐— ๐—ผ๐—ป๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ: ๐—–๐—ฒ๐˜€๐—ฎ๐—ฟ๐—ฒ ๐—•๐—ฎ๐˜‡๐˜‡๐—ฎ๐—ป๐—ถ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฐ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ฎ

Join us for an afternoon with ๐— ๐—ฎ๐˜‚๐—ฟ๐—ผ ๐—ฆ๐—ฎ๐—ฟ๐—ฎ๐—ฐ๐—ฐ๐—ผ (๐—จ๐—ป๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฐ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ฎ) as he traces the architecture of Cesare Bazzani through the city โ€” a journey between eclectic detail and monumental ambition, and a chance to look closely at heritage that still shapes how Macerata looks and feels today.

๐Ÿ—“๏ธ ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿญ๐Ÿฑ ๐—๐˜‚๐—น๐˜†, ๐Ÿฐ:๐Ÿฌ๐Ÿฌ ๐—ฃ๐— 
๐Ÿ“ Aula Rossa 1 / Polo Didattico Pantaleoni, Unimc / Universitร  degli Studi di Macerata

Then, that same evening, walk the city with us:

๐Ÿšถ ๐——๐—ฒ๐—ฐ๐—ผ๐—น๐—ผ๐—ป๐—ถ๐—ฎ๐—น ๐—ช๐—ฎ๐—น๐—ธ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฐ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ฎ
๐Ÿ—“๏ธ ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿญ๐Ÿฑ ๐—๐˜‚๐—น๐˜†, ๐Ÿฒ:๐Ÿฌ๐Ÿฌ ๐—ฃ๐— 

Both events are part of the ๐— ๐—ฆ๐—–๐—” ๐—ฆ๐˜๐—ฎ๐—ณ๐—ณ ๐—˜๐˜…๐—ฐ๐—ต๐—ฎ๐—ป๐—ด๐—ฒ๐˜€ ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—–๐—œ๐—ฅ๐—–๐—˜ โ€” InClusive valorIsation model foR Controversial cultural hEritage in the Mediterranean Harbours and beyond โ€” exploring how we understand, question, and give value to contested heritage.
Free and open to all. We'd love to see you there! ๐Ÿ‘‡

๐Ÿ‡ช๐Ÿ‡บ Funded by the European Union ยท University of Macerata โ€” Dept. of Education, Cultural Heritage and Tourism

Photos from Project CIRCE's post 13/07/2026

๐—–๐—œ๐—ฅ๐—–๐—˜ ๐—ถ๐—ป ๐— ๐—ฎ๐—ฑ๐—ฟ๐—ถ๐—ฑ: ๐—ฟ๐—ฒ๐˜๐—ต๐—ถ๐—ป๐—ธ๐—ถ๐—ป๐—ด ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ถ๐—ฎ๐—น ๐—ต๐—ฒ๐—ฟ๐—ถ๐˜๐—ฎ๐—ด๐—ฒ ๐Ÿ‡ช๐Ÿ‡ธ

Throughout June, the CIRCE project brought together an international and interdisciplinary group of scholars from the University of Macerata Unimc / Universitร  degli Studi di Macerata , the University of Genoa Universitร  di Genova , the University of Tunis Universitรฉ de Tunis, Pwani University Pwani University , Approdi Approdi , and Mdinti Mdinti-ู…ุฏูŠู†ุชูŠ to explore controversial heritage in Spain.

The programme included a focus group at the Museo Nacional de Antropologรญa, a decolonial walk in Toledo organised by UNED UNED and Toledo Islรกmica, and the first CIRCE national conference at the Museo de Amรฉrica and UNED.

๐˜ˆ ๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฐ๐˜ง ๐˜ฅ๐˜ช๐˜ข๐˜ญ๐˜ฐ๐˜จ๐˜ถ๐˜ฆ, ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ข๐˜ณ๐˜ฆ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ต๐˜ข๐˜จ๐˜ฆ, ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ฏ๐˜ช๐˜ป๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐ŸŒ

Photos from Project CIRCE's post 24/06/2026

โœณ๏ธ Local research and activation at Africa Nomads Art Space in Mombasa, Kenya, a moment to gather, exchange perspectives, and reimagine our past as a way of shaping a more conscious future.

โ€”- Benjamin Livoi

Photos from Project CIRCE's post 15/06/2026

ยก๐—›๐—ผ๐—น๐—ฎ ๐— ๐—ฎ๐—ฑ๐—ฟ๐—ถ๐—ฑ! ๐Ÿ‡ช๐Ÿ‡ธ
โ€”-
Today marks the beginning of a new month of research and knowledge-sharing in Spain. The coming weeks will be filled with meetings, explorations, and exchanges of ideas that can enrich our ongoing journey.
Follow us as we embark on this exciting new chapter!

In this post, you will find the programme of our first ๐˜ค๐˜ฐ๐˜ฏ๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, which will begin on ๐Ÿฃ๐Ÿช ๐˜‘๐˜ถ๐˜ฏ๐˜ฆ, launching a rich schedule of events and opportunities for dialogue and collaboration.

We would also like to extend our warmest thanks to our partners in Madrid, starting with UNED - Universidad Nacional de Educaciรณn a Distancia and, in particular, to Borja Franco Llopis for his invaluable support and cooperation.
Our sincere gratitude also goes to the Museo de Amรฉrica , which will be our home and host this intensive period of exchange, dialogue, and shared growth.
โ€”-
ยก๐—˜๐˜€๐˜๐—ฎ๐—บ๐—ผ๐˜€ ๐—บ๐˜‚๐˜† ๐—ถ๐—น๐˜‚๐˜€๐—ถ๐—ผ๐—ป๐—ฎ๐—ฑ๐—ผ๐˜€ ๐—ฑ๐—ฒ ๐—ฐ๐—ผ๐—บ๐—ฒ๐—ป๐˜‡๐—ฎ๐—ฟ ๐—ฒ๐˜€๐˜๐—ฎ ๐—ป๐˜‚๐—ฒ๐˜ƒ๐—ฎ ๐—ฎ๐˜ƒ๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐—ฎ ๐—ท๐˜‚๐—ป๐˜๐—ผ ๐—ฎ ๐˜ƒ๐—ผ๐˜€๐—ผ๐˜๐—ฟ๐—ผ๐˜€! ๐—ก๐—ผ๐˜€ ๐˜ƒ๐—ฒ๐—บ๐—ผ๐˜€ ๐—ฝ๐—ฟ๐—ผ๐—ป๐˜๐—ผ ๐—ฒ๐—ป ๐— ๐—ฎ๐—ฑ๐—ฟ๐—ถ๐—ฑ ๐—ฝ๐—ฎ๐—ฟ๐—ฎ ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฟ ๐—ถ๐—ฑ๐—ฒ๐—ฎ๐˜€, ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฎ๐˜€ ๐˜† ๐—ป๐˜‚๐—ฒ๐˜ƒ๐—ฎ๐˜€ ๐—ฝ๐—ฒ๐—ฟ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฎ๐˜€.
ยก๐—›๐—ฎ๐˜€๐˜๐—ฎ ๐—บ๐˜‚๐˜† ๐—ฝ๐—ฟ๐—ผ๐—ป๐˜๐—ผ! ๐Ÿ‡ช๐Ÿ‡ธโœจ



Giuseppe Capriotti Unimc / Universitร  degli Studi di Macerata Universitร  di Genova Universitรฉ de Tunis Universitร  di Genova Laura Stagno Alice Dev

Photos from Project CIRCE's post 06/06/2026

โœณ๏ธ Our time in Tunis draws to a close with this final gathering. It has been a month shaped by warm encounters that have sown the seeds of a grounded and living inquiry into the territory.
A theoretical point of departure that has unfolded through a multiplicity of voices, perspectives, and ways of knowing, embracing the richness of shared experience and collective reflection.
This is Circe: an open space for dialogue and exchange, a gesture of care towards people and places, towards the cultural heritage they safeguard and the memories that inhabit them.
A space where listening becomes a form of attention, and where knowledge emerges through encounter, reciprocity, and presence.

Thank you Tunis!
โ€Žุดูƒุฑุงู‹ ุฌุฒูŠู„ุงู‹ ูŠุง ุชูˆู†ุณ

Heartfelt thanks to our Tunisian partners at Universitรฉ de Tunis and Mdinti-ู…ุฏูŠู†ุชูŠ for their warm hospitality and for making this visit a meaningful and enriching experience.

Want your school to be the top-listed School/college in Split?
Click here to claim your Sponsored Listing.

Category

Website

Address


Split