Fanusta Global

Turnkey ex*****on is the difference between a restaurant that photographs well and one that actually holds up under a full service, and Aravali Pavilion at ITC Grand Bharat, Gurugram, is the clearest example we have of that difference.

The space is a reflection of thoughtful design, skilled craftsmanship, and precise ex*****on working together rather than in sequence. We delivered the complete turnkey ex*****on here, bringing marble inlay flooring, hand blocked wallpaper, custom restaurant furniture, and designer lighting together into one cohesive hospitality environment, from the main dining hall to the curved corner nook to the buffet counter that had to read as architecture rather than equipment.

Turnkey ex*****on is never one big decision. It is a hundred small ones made on site, each one protecting the original design intent while coordinating flooring, furniture, lighting, and finishing teams so nothing pulls the room in a different direction. A cane chair repeating perfectly across dozens of covers, a wallpaper pattern lining up at every seam, a buffet counter finished in the same language as the dining tables around it, none of that happens by accident.

If you have ever walked through a hotel or a restaurant and felt like everything just worked, the light, the seating, the flow, all of it in quiet agreement with itself, there was almost certainly a team behind the scenes making sure of it. That is the work we are proud of here.

For hospitality developers and design teams building restaurants, lobbies, or guest spaces at this scale, this is what full scope ex*****on looks like when the vision survives every single decision made after the renderings are approved.

What is one detail in a space that instantly tells you the ex*****on was done right? Tell us below, we read every comment.

We designed this complete home interior in Pune, and every choice in it started with a conversation about how this family actually lives.

In the primary bedroom, we channel pleated the headboard into a sunburst and let a hand sculpted plaster wall run behind it, so the texture catches light differently through the day instead of sitting flat. Just past the bed, a wardrobe wears hand painted cherry blossom branches glazed onto sliding glass, a detail we added to bring in colour without ever letting the room feel loud.

For our client’s son, we painted a full mountain range mural across the wall and cut his headboard into jagged peaks, because a child’s room should stretch his imagination, not just store his toys. Beside it is the detail everyone asks us about, a wardrobe designed with a full Lego brick pattern, paired with open shelving and storage bins set low enough for him to manage entirely on his own. We wanted a room that felt designed with him in mind, not just decorated for him.

Down the hallway, we kept things minimal on purpose. A striped wood slat ceiling with warm cove lighting leads the eye straight to a hand carved wood relief panel at the entry, with nothing else competing for attention along the way.

In the dining room, we built the space around a bubble style brass chandelier and a marble top table, so everyday dinners feel a little more special than they need to. A lavender console with a quiet bronze Buddha statue grounds the room without asking for attention.

At the entry, before anyone sees anything else in the home, that carved wood relief panel we commissioned is the first thing anyone feels walking in, and that was the whole point of putting it there.

This is what design with intention looks like to us at Fanusta.

Raksha Bandhan is never just about the thread on the wrist. It is about everything that happened before someone tied it.

The TV shows you fought over till one of you gave in. The dinner table conversations that somehow always turned into an argument and then a joke. The bedtime stories that got longer because neither of you wanted the day to end.

Siblings grow up sharing a hundred small worlds inside one home, and somehow those worlds are what the bond is actually made of. Not one big moment, just years of ordinary ones stacked together.

We see it in every home we work on. The best part of a house is rarely the thing people intended to remember, it is the routine turned ritual, the corner where two kids became each other’s first best friends.

Happy Raksha Bandhan from all of us at Fanusta.
Let’s celebrate the bond that makes these walls a home.

School design usually treats hallways as leftover space, somewhere to walk through, never to notice. At Daffodils World School in Sikar, we designed the courtyard as its own destination instead.

Every wall carries a mural, a message, a small pause built into the architecture. It’s a design decision most schools skip, and one we think matters most.

Over the next few slides, we’re taking you through the five activity rooms Fanusta designed and built for this school, starting with the space that connects all of them.



Most school dance rooms scale everything down: smaller mirrors and a diluted version of a real studio.

We wanted the real thing instead: full size mirrors and a proper ballet bar, because children rise to serious spaces, they don’t need to be designed down to.

It’s a small shift in thinking that changes how a child sees themselves the moment they walk in.

School library design usually stops at the bookshelf. This one doesn’t.

Art and reading share the same room here, on purpose, because a love for stories and a love for making things shouldn’t be taught separately. A child moves from a page to a paintbrush without needing anyone’s permission to switch.

It’s one of the quieter design decisions in this project, and one of our favorites.

Sensory room design is still rare in Indian schools, and this one happens to be the first of its kind in Rajasthan.

It was built with one purpose: to help an overwhelmed child settle before anything else is expected of them. No bright colors, no forced stimulation, just texture, softness, and quiet.

Regulation deserves as much architectural attention as learning does. This room is our answer to that.

Indoor play area design is often treated as a break from learning, the reward after the real work is done. That always struck us as backwards.

This room, trampoline, climbing wall and all, is built on the idea that balance, coordination, and confidence are learned through the body first. A child working out how to land a jump is doing something just as valuable as a child working out how to read.

Both are development.