UP Cebu Design Program
The official page of UP Cebuโs Design Program. Advancing design education, research, and practice โ take it f u r t h e r
27/09/2026
27/09/2026
20/09/2026
NO FACE-TO-FACE CLASSES (SEPTEMBER 21)
Following the Cebu City LGU announcement, face-to-face classes at UP Cebu are suspended tomorrow, 21 September 2026 due to hazardous air quality.
Classes shall shift to modular and alternative learning modes. Similarly, heads of administrative offices and units are granted discretion to adopt flexible work arrangements. Please refer to Memo No. CLM 2025-033: General Framework on Class Modality and Work Arrangement for more information.
For emergencies, dial 911. Stay safe and monitor official UP Cebu channels for updates.
๐๐๐๐ง๐จ๐ฅ๐ | ๐๐๐ก๐๐ ๐๐ฎ๐๐ต๐ถ๐ผ๐ป ๐ช๐ฒ๐ฒ๐ธ ๐๐ผ๐น๐ถ๐ฑ๐ฎ๐ ๐ฎ๐ฌ๐ฎ๐ฒ ๐๐ฒ๐๐ถ๐ด๐ป๐ฒ๐ฟ Edwin Ao
Edwin Ao is a master architect of Philippine fashion based in Cebu. Over a distinguished two-decade career, Ao has established a reputation for uncompromising structural precision, redefining modern menswear and womenswear through sculptural silhouettes and razor-sharp tailoring. From his early debut in Paris to showing in Tokyo, Singapore, and across Asia, his trajectory reflects a relentless dedication to form and textile innovation. A reverent educator and long-standing member of the Fashion Design Council of the Philippines, Ao commands the runway not through fleeting trends, but through a quiet, authoritative elegance that continuously shapes regional design and inspires emerging talent.
๐๐๐ข๐จ๐ง ๐ง๐๐ ๐๐ข๐๐๐๐๐ง๐๐ข๐ก
In Chlorophyll Hexagons: The Body in Impermanence, Ao turns transformation into a visual language. The collection contemplates the body as something fluid, continually rewritten by memory, experience, and time. Organic forms meet fractured imagery through fragmentation, layering, and recomposition, creating silhouettes that feel at once familiar and otherworldly. Central to the collection is solar printing, where sunlight and chlorophyll become agents of imprint and change. On fabric, nature leaves its trace; on the body, impermanence becomes visible. Each garment emerges as a record of exposure and evolution, celebrating the beauty of letting go. In Aoโs world, impermanence is not an ending, but the beginning of becoming.
See Edwin Aoโs โChlorophyll Hexagons: The Body in Impermanenceโ at BENCH Fashion Week Holiday 2026, live from SPACE @ One Ayala. Catch the show streaming on TikTok, Facebook, and Instagram this September 26, 2026.
Visit BENCH/ lifestyle + clothing for more details.
17/09/2026
CELEBRATING A DECADE OF DESIGN & INNOVATION ๐ฆพ
FabLab UP Cebu is celebrating 10 years of making, designing, and innovating!
Open to all FabLabs, design enthusiasts, professionals, makers, and creatives: JOIN US for a series of talks, workshops, tours, design competitions, and more as we celebrate this milestone through this month-long DESIGN CONFERENCE.
FAB10: Designing for Communities, Communities for Design
๐
October 15-16, 2026
- FABCONNECT: Bridging FabLabs In The Islands
๐
November 20-21, 2026
- DESIGN NEXT: Innovation and Design Futures Conference
Want to take part? Send us a message to get exclusive updates.
11/09/2026
๐๐๐๐ง๐จ๐ฅ๐ | ๐ก๐๐ช ๐ก๐๐ง๐๐ข๐ก๐๐ ๐๐ฅ๐ง๐๐ฆ๐ง ๐๐ข๐ฅ ๐๐๐ฆ๐๐๐ก ๐ต๐ญ
The UP Cebu Design Program celebrates ๐ ๐ฎ๐ฟ๐ถ๐ฎ ๐๐ฒ๐ฎ๐๐ฟ๐ถ๐ "๐ฃ๐ฎ๐๐ถ๐" ๐ง๐ฒ๐๐ผ๐ฟ๐ผ'๐ recognition as National Artist for Design.
Her lifelong work with Filipino textiles, natural materials, and local artisans reminds us that design can move forward without losing sight of where it comes from. It's exactly the spirit we hope to instill in our design students at UP Cebu, one that treats our communities and material cultures as partners in the work, not just inspiration for it. Congratulations!
๐๐๐๐๐ ๐๐๐๐๐๐๐ โ๐๐๐๐๐โ ๐
๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐
National Artist for Design
Maria Beatriz Fabella Pamintuan Tesoro, popularly known as Patis Tesoro, is a designer, cultural advocate, and pioneer of Filipiniana fashion whose work for more than five decades has been devoted to the preservation, revitalization, and contemporary reinterpretation of Philippine textile and dress traditions. She has consistently positioned Filipino clothing, materials, and craftsmanship at the center of her artistic practice.
Best known for her reinterpretations of the terno, Maria Clara gown, and barong Tagalog, Tesoro works extensively with local materials such as piรฑa, jusi, abaca, cotton, and silk. Her designs integrate historical forms, ethnolinguistic motifs, and contemporary silhouettes, resulting in garments that function as both wearable art and cultural documentation. Central to her practice is close collaboration with local weavers, embroiderers, farmers, and artisans across the country, ensuring the transmission of traditional knowledge and the sustainability of heritage-based livelihoods.
Tesoro is widely recognized for her early and sustained advocacy of environmentally responsible and culturally grounded fashion. Long before sustainability became a global concern, she promoted the use of natural fibers, dyes, and traditional production methods, as well as the repurposing of vintage textiles. Through these efforts, she articulated a model of โcircular fashionโ rooted in cultural continuity rather than mass production.
Her body of work has been presented in numerous local and international exhibitions and fashion shows in the Philippines, Europe, North America, and Asia. Notable publications documenting her work include The Art of Philippine Embellishment (1994), Postura (2008), and Patis Tesoro: Filipiniana Is Forever (2024). Beyond design, she has led major cultural and community initiatives through the Katutubong Filipino Foundation, supporting the revival of regional textile and craft traditions nationwide.
Tesoroโs career demonstrates sustained excellence in design, cultural leadership, and advocacy, contributing significantly to the preservation and global visibility of Philippine fashion and textile heritage.
07/09/2026
๐ฅ๐๐ฆ๐๐๐ฅ๐๐ | ๐ฃ๐๐๐๐๐ฆ ๐ง๐๐๐ง ๐๐๐๐ข๐ก๐
What does it mean to understand urbanity through the communities that experience, negotiate, and continually shape it?
The UP Cebu Design Program concluded todayโs Design Thesis Plenary, โ๐ฃ๐น๐ฎ๐ฐ๐ฒ๐ ๐ง๐ต๐ฎ๐ ๐๐ฒ๐น๐ผ๐ป๐ด: ๐ฆ๐ฒ๐ป๐๐ถ๐ป๐ด ๐จ๐ฟ๐ฏ๐ฎ๐ป๐ถ๐๐ ๐ง๐ต๐ฟ๐ผ๐๐ด๐ต ๐๐ผ๐บ๐บ๐๐ป๐ถ๐๐ถ๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐๐ถ๐ด๐ป,โ with ๐๐ป๐๐๐ฟ. ๐๐ผ๐ต๐ป ๐ฅ๐๐ฎ๐ป ๐๐ฎ๐ฐ๐ผ๐, ๐๐ณ๐ฐ๐ซ๐ฆ๐ค๐ต ๐๐ฆ๐ญ๐ญ๐ฐ๐ธ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ ๐๐๐๐ ๐๐ณ๐ฃ๐ข๐ฏ ๐๐ต๐ถ๐ฅ๐ช๐ฆ๐ด ๐๐ณ๐ฐ๐จ๐ณ๐ข๐ฎ.
Drawing from the programโs research in Metro Cebu and the urbanizing small-island communities of Getafe, Bohol, the conversation encouraged our Design thesis students to look beyond conventional notions of the city and consider how urban life is shaped by place, community, climate, and everyday experience.
Our sincere thanks to ๐๐ป๐๐๐ฟ. ๐๐ผ๐ต๐ป ๐ฅ๐๐ฎ๐ป ๐๐ฎ๐ฐ๐ผ๐ for sharing his research and insights, and to our faculty and students who joined the conversation.
May we continue to ๐๐ฒ๐ป๐๐ฒ ๐ฏ๐ฒ๐ณ๐ผ๐ฟ๐ฒ ๐๐ฒ ๐ฑ๐ฒ๐๐ถ๐ด๐ป, ๐น๐ถ๐๐๐ฒ๐ป ๐ฏ๐ฒ๐ณ๐ผ๐ฟ๐ฒ ๐๐ฒ ๐ถ๐ป๐๐ฒ๐ฟ๐๐ฒ๐ป๐ฒ, ๐ฎ๐ป๐ฑ ๐๐ป๐ฑ๐ฒ๐ฟ๐๐๐ฎ๐ป๐ฑ ๐๐ต๐ฒ ๐ฐ๐ผ๐บ๐บ๐๐ป๐ถ๐๐ถ๐ฒ๐ ๐๐ผ ๐๐ต๐ถ๐ฐ๐ต ๐ฝ๐น๐ฎ๐ฐ๐ฒ๐ ๐ฏ๐ฒ๐น๐ผ๐ป๐ด.
07/09/2026
๐ฅ๐๐ฆ๐๐๐ฅ๐๐ | ๐ฃ๐๐๐๐๐ฆ ๐ง๐๐๐ง ๐๐๐๐ข๐ก๐
How might we understand urbanity beyond the conventional boundaries of the city?
Join us for ๐ฃ๐น๐ฎ๐ฐ๐ฒ๐ ๐ง๐ต๐ฎ๐ ๐๐ฒ๐น๐ผ๐ป๐ด: ๐ฆ๐ฒ๐ป๐๐ถ๐ป๐ด ๐จ๐ฟ๐ฏ๐ฎ๐ป๐ถ๐๐ ๐ง๐ต๐ฟ๐ผ๐๐ด๐ต ๐๐ผ๐บ๐บ๐๐ป๐ถ๐๐ถ๐ฒ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐๐ถ๐ด๐ป, a Design Thesis Plenary featuring ๐๐ป๐๐๐ฟ. ๐๐ผ๐ต๐ป ๐ฅ๐๐ฎ๐ป ๐๐ฎ๐ฐ๐ผ๐, ๐๐ณ๐ฐ๐ซ๐ฆ๐ค๐ต ๐๐ฆ๐ญ๐ญ๐ฐ๐ธ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ ๐๐๐๐ ๐๐ณ๐ฃ๐ข๐ฏ ๐๐ต๐ถ๐ฅ๐ช๐ฆ๐ด ๐๐ณ๐ฐ๐จ๐ณ๐ข๐ฎ.
Drawing from the programโs research on Metro Cebu and urbanizing small-island communities in Getafe, Bohol, the session explores how urban life is shaped by communities, climate responses, territorial change, and broader processes of urbanization. It also opens a conversation on how perspectives from urban studies can engage with design research and practice.
For our Design Thesis students, the plenary invites us to look more closely at how we understand people, place, and the changing conditions of urban life before we design for them.
๐
๐ฆ๐ฒ๐ฝ๐๐ฒ๐บ๐ฏ๐ฒ๐ฟ ๐ณ, ๐ฎ๐ฌ๐ฎ๐ฒ | ๐ฐ:๐ฏ๐ฌ ๐ฃ๐
๐ ๐๐ฒ๐๐ถ๐ด๐ป ๐๐ผ๐บ๐บ๐๐ป๐ถ๐ฐ๐ฎ๐๐ถ๐ผ๐ป ๐ฅ๐ผ๐ผ๐บ, ๐๐๐๐๐๐
๐จ๐ฃ ๐๐ฒ๐ฏ๐, ๐๐ผ๐ฟ๐ผ๐ฟ๐ฑ๐ผ ๐๐๐ฒ๐ป๐๐ฒ
05/09/2026
PROGRAM ACTIVITIES | Instructors from the Product Design Program of UP Cebu, Nessa Abayon and Kil Camalongay, spoke to Architecture students of Foundation University in Dumaguete City on September 2, 2026, about the fundamentals and principles of Social Design.
Read more here: https://ccad.upcebu.edu.ph/index.php/2026/09/04/design-instructors-tackle-social-design-at-foundation-university/
04/09/2026
๐ฅ๐๐ฆ๐๐๐ฅ๐๐ | ๐ฆ๐ง๐ฅ๐๐ก๐๐ง๐๐๐ก๐๐ก๐ ๐๐ข๐จ๐ก๐๐๐ง๐๐ข๐ก๐ฆ ๐๐ก ๐๐๐ฆ๐๐๐ก
Thesis Proposal Class of the UP Cebu Design Program welcomed two faculty members as resource speakers for sessions aimed at strengthening our studentsโ research foundations.
๐๐๐๐. ๐ฃ๐ฟ๐ผ๐ณ. ๐ฅ๐ฎ๐ฑ๐ฒ๐ป ๐๐ฒ๐ฟ๐ฎ๐น๐ฑ ๐๐ด๐๐๐๐ถ๐ป discussed โStatistics 101,โ introducing essential statistical concepts to help students make informed decisions in developing and analyzing their thesis proposals.
๐๐๐๐. ๐ฃ๐ฟ๐ผ๐ณ. ๐๐ฟ๐ฎ๐ป๐ฐ๐ถ๐ ๐๐๐ถ๐ ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ discussed โReferencing and Review of Related Literature,โ guiding students through scholarly referencing to situate their research within existing knowledge.
We sincerely thank Asst. Prof. Agustin and Asst. Prof. Torres for generously sharing their time, knowledge, and expertise. Their contributions greatly enriched the academic growth and research preparation of our future designers.
24 August 2026 | University of the Philippines Cebu
Click here to claim your Sponsored Listing.
Website
Address
Gorordo Avenue
Cebu City
6000
Alerts
Be the first to know and let us send you an email when UP Cebu Design Program posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.