Strona główna > Polska > Warsaw > Firmy Medialne > JABBA FILM

JABBA FILM

JABBA FILM

Udostępnij

Motion Opitcal Imaging Videography & Cinematography
I'm #Jabbaproductiondog 190089607@N05/" rel="ugc" target="_blank">https://www.flickr.com/photos/190089607@N05/

13/08/2026

Parc de la Ciutadella 🇪🇸
Turystyczna kamera w akcji. nie mission Papugi były i latały, bardziej je było słychać niż widać. 🦜 📹 ujęcia i slowmo

18/07/2026

Weź tam masz tam taki slider. No metrowy...

18/06/2026

Sprawdzałem Nowości od Panasonic z zakresu Remote Camera Systems AW-RP200GJ i kamery UE 160. Traking nie jest już nowością, ale jednak mogłem się dowiedzieć o tym w którą stronę zmierzają jego możliwości. Thx

Photos from JABBA FILM's post 29/05/2026

Video Assistant for Telefonica Spain by MediaPRO at UEFA Final Conference League 2026

Cinematographer Don Burgess explained how the famous mirror scene in Contact was actually done. What looks like a camera moving through a mirror is really one continuous Steadicam shot. There is no mirror. The set was built to create the illusion of a reflection, including a staircase that was physically flipped so the trick begins well before the bathroom scene. The slow motion in the hallway was not added in post. The camera speed was ramped live during the shot to create the feeling that Ellie cannot reach the medicine in time to save her father. The shot was planned months in advance and executed using a VistaVision camera on Steadicam with an extremely coordinated crew move. When the cabinet closes, visual effects take over seamlessly to complete the transition. 🎬 : Contact (1997) DISCLAIMER: I DO NOT own the rights to the music or movie clips used. All content belongs to its respective owners. No copyright infringement intended. For removal requests, please contact me. 07/04/2026

To jest sztuka operatorska

Cinematographer Don Burgess explained how the famous mirror scene in Contact was actually done. What looks like a camera moving through a mirror is really one continuous Steadicam shot. There is no mirror. The set was built to create the illusion of a reflection, including a staircase that was physically flipped so the trick begins well before the bathroom scene. The slow motion in the hallway was not added in post. The camera speed was ramped live during the shot to create the feeling that Ellie cannot reach the medicine in time to save her father. The shot was planned months in advance and executed using a VistaVision camera on Steadicam with an extremely coordinated crew move. When the cabinet closes, visual effects take over seamlessly to complete the transition. 🎬 : Contact (1997) DISCLAIMER: I DO NOT own the rights to the music or movie clips used. All content belongs to its respective owners. No copyright infringement intended. For removal requests, please contact me.

Chcesz aby twoja firma była na górze listy Firma Medialna w Warsaw?
Kliknij tutaj, aby odebrać Sponsorowane Ogłoszenie.

Kategoria

Video Creators

Strona Internetowa

Adres


Warsaw