Who Modern

Ate van Apeldoorn
Four-Drawer Chest, c. 1970s
Solid pine

A study in material honesty and craftsmanship, this chest features exposed finger-jointed construction and richly figured solid pine. Characterized by its clean geometry and functional simplicity, it reflects the enduring principles of Dutch modern design.

Gaetano Pesce Fiona vase for Fish Design.

Part of Pesce’s iconic Fish Design collection, each vase is individually cast in resin, making every example entirely unique. Its fluid form, layered color, and tactile surface embody Pesce’s lifelong celebration of individuality, spontaneity, and fearless material experimentation.

This pair of the Costanza table D13 lamps, designed in 1986 by Paolo Rizzatto for Luceplan, represents a refined balance of innovation and tradition in modern Italian lighting design. Conceived as part of the now-iconic Costanza series, the D13 model features a slender aluminum stem and a softly tapered, silk-screened polycarbonate shade that diffuses light into a warm, inviting glow. The lamp’s minimalist silhouette reinterprets the classic table lamp form with contemporary lightness, while its distinctive sensor dimmer allows intuitive adjustment of brightness, reflecting Rizzatto’s human-centered approach to design. As a pair, these lamps create a harmonious and sculptural presence, offering both functional illumination and timeless elegance suited to a wide range of interiors.

This USM Haller table model T69, designed in 1963 by Swiss architects Fritz Haller and Paul Schaerer, is a classic example of modernist functional design. Defined by its clean lines and restrained elegance, the table features a chromed steel tube frame paired with a simple, durable tabletop, reflecting the designers’ emphasis on clarity, modularity, and precision engineering. Closely aligned with the philosophy behind the USM Haller modular furniture system, the T69 is highly versatile, suitable for use as a desk, dining table, or work surface in both residential and professional settings. Its timeless aesthetic and robust construction have made it an enduring design icon within twentieth-century Swiss furniture design.

This example is available now at WhoModern.com

This 1960s tile side table, designed by Jane and Gordon Martz for Marshall Studios in Veedersburg, Indiana, exemplifies the timeless appeal of American mid-century modern design. Featuring the Martzes’ signature hand-laid ceramic tile top and a sleek walnut base, the piece perfectly balances craftsmanship and functionality. Each table reflects the couple’s dedication to organic materials, subtle texture, and harmonious design; qualities that made Marshall Studios a defining name in postwar modern furniture. Elegant yet understated, this side table remains a sought-after example of authentic mid-century artistry.