Stack Brogan Collective

The Wood Stacker Edit.

At its best it is warm, sculptural, and refined enough to hold its own in the most demanding hospitality and workplace environments. We represent four of them, each made with a level of craft that makes the category feel like anything but a commodity.

Tiago by KASCHKASCH for Davis: solid oak frame, bent plywood shell, concealed mechanical joinery. Chair and stool family, stacks six high, optional upholstered seat. Engineered for commercial interiors with the craft to show for it.

Touchwood by Lars Beller Fjetland for Hem: a continuous molded beech form in beech, oak, or walnut veneer. A broad coordinating family, contract-grade construction, made in Latvia. Minimal without being cold.

Nina by Aristeu Pires for Sossego: solid Jequitibá hardwood, handcrafted in Brazil. COM and COL available, stacks six high, and brings a warmth to hospitality and workplace environments that most wood contract seating cannot touch.

Every project has a wood stacker that is right for it. Reach out and we will help you find yours.

Las Filas by Martin Brattrud

The horizontal back channel is the whole idea: a continuous line that pulls the eye across the interior and gives the space a sense of motion without a single moving part. Las Filas builds on years of Martin Brattrud banquette expertise, and that experience shows in how much the collection can do.

Built-to-floor or on a metal sled base. Back-to-back configurations with optional integrated planter box for an organic softness that balances the strong horizontal geometry. Planter plinth base available for freestanding moments within the plan.

A banquette that defines a space rather than just filling it.

Alice by Aristeu Pires for Sossego

A lounge and hospitality family built around a single recurring detail: the dowel, wrapped in matching or contrasting leather or upholstery, woven through every piece as both structural element and visual signature.

The construction is worth a closer look. Solid wood frame, sling seat construction, plush foam cushions that read as floating above the structure. Clean lines softened by the upholstery, comfort that holds up across long dinners, extended meetings, and everything in between.

Armchair, counter stool, chaise, and ottoman: a complete family that moves between restaurant, hospitality lounge, and workplace environments with equal ease. The material range gives designers real latitude in how it lands.

Stack Brogan Collective is excited to welcome Ally Mills to our team as an Account Executuve!!!

Designing a LEED Gold airport terminal to reduce traveler stress is one thing. Specifying furniture that can survive it is another. said yes. Here's how.

Kanzo Bench: sculptural, multi-level lounge seating engineered with custom stainless-steel floor plates, seat heights calibrated for accessibility and passenger flow, FSC-certified wood throughout.

Oval Egg Table: HDPE plinths thickened for travelers who perch on tables, anti-rotate locking rings added, BIFMA standards exceeded. Four Salt and Pepper power units per table, USB and standard. A C-shaped variant with cut-out cavity created so a table could slide over a sofa edge. That detail makes working on a layover feel civilized.

Ski Chair: polished stainless frame modified for floor bolting, removable cushions fitted with heavy-duty Velcro, every hardware choice calibrated for a space sanitized daily at scale.

Airports, train stations, and hotel lobbies are becoming the new public commons. The furniture in them is no longer background. It is the infrastructure that makes modern movement tolerable. HBF at SFO is what it looks like when that responsibility is taken seriously.

Photography: Matthew Gordon Studio

Tia Team Table by Watson Furniture

Height adjustability in a team table is expected. What Tia does with the rest of the design is what makes it worth talking about.

Two powered lifting columns raise surface and monitor together across a 28 to 47.5 inch range. The recessed leg keeps every seat comfortable wherever the table lands. The Forbo comfort edge creates a seamless, tactile transition from surface to edge that feels deliberate in a category where that detail is rarely considered. Surface shapes in rectangle, super ellipse, and tapered. Thirty-plus powder coat colors on the steel. All Watson laminates and Forbo finishes available across the top.

Dual-hinged in-surface power accessible from any position, monitor mount to 55 inches, concealed tech cabinet underneath. Everything organized, nothing visible that should not be.

A table that takes the material as seriously as the mechanism.

Laura by Aristeu Pires for Sossego

The design draws directly from the architecture of a garden: a latticed backrest that rises from branch-like back legs, an arcing form that connects the structure with the lightness of something grown rather than built.

Available as a chair, counter stool, and bar stool, Laura brings an organic materiality to hospitality, dining, and workplace café environments that grounds a space without weighing it down. Brazilian hardwood, handcrafted at Sossego's workshop.

A distinctive silhouette with a quiet presence.

Flow by Nucraft Furniture
A conference table collection with genuine range and the sophistication to carry it. Five top shapes and fourteen base styles give designers a configuration palette that feels like creative freedom rather than a catalog exercise. Round to boat to sight line, cone base to column to T-base, and a custom solution available for anything outside the standard offering.
Flow can anchor a boardroom, define a collaborative space, or carry a hospitality environment with equal ease. The right table has a way of making the room around it feel resolved. Flow is that table.

Some projects don't have an existing answer.

PresentForm Atelier is where those projects go. Not customization of an existing product but the development of an entirely new cladding solution built from the ground up around the specific logic of the space.

For Deloitte's Milan headquarters, that meant a sinuous, undulating installation across ceiling and walls with a color gradient that shifts gradually across the surface, softening a high-performance corporate environment. Custom rail system, precisely calibrated metallic mesh panels, each individually studied in geometry, curvature, and tone. The result wraps from wall to ceiling and dissolves the boundary between them entirely.

Then they did it again in Rome, same methodology, same ambition, fully responsive to a completely different space.

If the vision exists, the Atelier can engineer it.

Project credits: DEGW | Lombardini22
Photography: Francesca Maiolino and Carola Merello

Understand by Mizetto

A furniture system built around the idea that storage should not have a fixed identity. Boxes hang from a steel frame or rest on it, creating practical shelves and deliberate voids in the same composition. Light passes through where you want it to. A planter finds its place where the room needs softening.

The configurations are vast: ceiling height or low, space-dividing or freestanding, dense or airy, minimal or layered. Color, material, and shape options extend the range further. The steel frame is the only constant. Everything else is a decision.

Understand works as a room divider that defines without closing off, a storage wall that reads as sculpture, or a freestanding object that gives an open plan environment the architectural punctuation it was missing.

Versatility and beauty pulling in exactly the same direction.