Wright Auction

Wright Auction

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The industry's leading auction house specializing in 20th century design. Explore our network of independent auction houses. linktr.ee/ragowright

09/24/2026

๐—”๐—จ๐—–๐—ง๐—œ๐—ข๐—ก ๐—ง๐—ข๐— ๐—ข๐—ฅ๐—ฅ๐—ข๐—ช โ€ข 300+ lots of distinct design. Join us tomorrow, September 24, for an Essential Design auction presented by Wright and LAMA, featuring influential works from the past century.

Featuring works by Fernando and Humberto Campana, Charles and Ray Eames, Arne Vodder, Max Ingrand, Angelo Lelii, Zaha Hadid, Sergio Rodrigues, Karl Gustav Hansen, Giovanni Ferrabini, and many others.

๐Ÿ”— Bid now โ†’ www.wright20.com/auctions/2026/09/essential-design

๐—˜๐˜€๐˜€๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป โ€ข ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฐ

Photos from Rago Auction's post 09/24/2026

๐—ก๐—ข๐—ช ๐—ข๐—ก๐—Ÿ๐—œ๐—ก๐—˜ โ€ข Rago, Wright, and LAMA are proud to present ๐—ง๐—ต๐—ฒ ๐—ฃ๐—ฟ๐—ถ๐˜ƒ๐—ฎ๐˜๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—š๐—ฒ๐—ฟ๐˜๐—ฟ๐˜‚๐—ฑ & ๐—ข๐˜๐˜๐—ผ ๐—ก๐—ฎ๐˜๐˜‡๐—น๐—ฒ๐—ฟ, an intimate selection of works the artists retained for their own personal collection. This presentation brings together more than 50 ceramics chosen by the Natzlers as particularly meaningful examples of their shared practice, offering a rare perspective on the work they themselves valued most.
United in life and artistry, Gertrud and Otto transformed twentieth-century ceramics through an extraordinary creative partnership: Gertrud as a master of form, throwing distinctly modern vessels of remarkable refinement, and Otto as an alchemist of glaze, whose tireless experimentation produced surfaces of exceptional depth, color, and complexity. With most of these works appearing on the open market for the first time, the collection offers a uniquely personal window into the vision, experimentation, and enduring legacy of two of modern ceramicsโ€™ most influential artists.

This auction will be followed by ๐—ฃ๐—ผ๐˜€๐˜ ๐—ช๐—ฎ๐—ฟ & ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—–๐—ฒ๐—ฟ๐—ฎ๐—บ๐—ถ๐—ฐ๐˜€.

๐Ÿ”— Explore the collection โ†’ www.wright20.com/auctions/2026/10/the-private-collection-of-gertrud-otto-natzler

๐—ง๐—ต๐—ฒ ๐—ฃ๐—ฟ๐—ถ๐˜ƒ๐—ฎ๐˜๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—š๐—ฒ๐—ฟ๐˜๐—ฟ๐˜‚๐—ฑ & ๐—ข๐˜๐˜๐—ผ ๐—ก๐—ฎ๐˜๐˜‡๐—น๐—ฒ๐—ฟ โ€ข ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ ๐Ÿณ

Photos from Los Angeles Modern Auctions (LAMA)'s post 09/22/2026
Photos from Rago Auction's post 09/22/2026

๐—–๐—Ÿ๐—ข๐—ฆ๐—œ๐—ก๐—š ๐—ฆ๐—ข๐—ข๐—ก โ€ข Thereโ€™s still time to experience the Fixlersโ€™ remarkable collectionโ€”but not for long. Donโ€™t miss the final days to view selections from ๐—ฃ๐˜‚๐˜€๐—ต๐—ถ๐—ป๐—ด ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ผ๐˜„๐—ฒ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐——๐—ถ๐—ฎ๐—ป๐—ฒ ๐—™๐—ถ๐˜…๐—น๐—ฒ๐—ฟ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป at ๐—ฅ๐—ฎ๐—ด๐—ผ/๐—ช๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐—ก๐—ฌ๐—–.
Spanning decades, this deeply personal body of work brings together an incredible dialogue between scale, material, figuration, and abstraction, featuring works by Olga de Amaral, Jun Kaneko, Isamu Noguchi, Ruth Duckworth, Marino Marini, Lynda Benglis, and more.
๐—–๐—น๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿญ๐Ÿฑ. Make a final visit ahead of Tuesdayโ€™s auction.

๐Ÿ—“๏ธ Through September 15๏ฟฝ
๐Ÿ• 11 amโ€“5 pm, Mondayโ€“Friday๏ฟฝ
๐Ÿ“ Rago/Wright, 501 West 20th Street

09/22/2026

Margo Hoffโ€™s ๐˜š๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฆ ๐˜—๐˜ข๐˜ณ๐˜ต๐˜บ (1953) is a piece of Chicago mid-century modernism that is especially interesting when you look beyond the subject matter and consider how Hoff constructs the scene visually and psychologically.

The vertical format is immediately important. At 40 inches high but only 20 inches wide, the painting creates a compressed, upright space rather than the broad, horizontal space we might expect for a group celebration. This tight vertical composition can contribute to a feeling of psychological tension, almost as though the space itself is closing in around the lone figure. A โ€œsurprise partyโ€ normally suggests abundance: people, noise, decorations, and social interaction. Hoff gives us almost the oppositeโ€”an enormous amount of empty space and quietness. The vacant chairs in the composition lead the eye toward the upper right corner, where we see one lone figure looking out the window, seemingly wondering, โ€œ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ถ๐˜ฆ๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ณ๐˜ณ๐˜ช๐˜ท๐˜ฆ?โ€

The contrast between the expectation of a lively event and the reality of an empty room creates a sense of anticipation and uncertainty. The figure appears to be caught in the uncomfortable period before the event has actually begun: waiting, wondering, and perhaps even questioning whether anyone will arrive at all. The narrow composition reinforces this feeling of suspense, while the emptiness surrounding the figure could also suggest a more personal anxiety about isolation and loneliness.

Margo Hoffโ€™s ๐˜š๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฆ ๐˜—๐˜ข๐˜ณ๐˜ต๐˜บ is open for bidding in ๐—ฃ๐—ผ๐˜€๐˜ ๐—ช๐—ฎ๐—ฟ & ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—”๐—ฟ๐˜ presented by ๐˜™๐˜ข๐˜จ๐˜ฐ/๐˜ž๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต on September 23rd.

๐Ÿ”— Register to bid โ†’ https://www.wright20.com/auctions/2026/09/post-war-contemporary-art/139

Photos from Rago Auction's post 09/10/2026

โ€œ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ค๐˜ข๐˜ฏ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ข ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ฉ๐˜ข๐˜ด ๐˜ต๐˜ฐ ๐˜ด๐˜ข๐˜บ, ๐˜ ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ต ๐˜ด๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ณ๐˜ง๐˜ข๐˜ค๐˜ฆ.โ€ - ๐˜‘๐˜ถ๐˜ฏ ๐˜’๐˜ข๐˜ฏ๐˜ฆ๐˜ฌ๐˜ฐ

Discover the beautiful glazed stoneware of Jun Kaneko. The forms are simple but their scale and surface give them a real presence in a room. Kaneko leaves room for the clay itself to speak, using subtle shifts in color, pattern, and texture rather than relying on ornament. Together, his Dangos and wall slabs show what the artist does so well: taking the familiar language of ceramics and pushing the boundaries to something much bigger, more architectural, and completely his own.

๐Ÿ”— Bid now at wright20.com

๐—ฃ๐˜‚๐˜€๐—ต๐—ถ๐—ป๐—ด ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ผ๐˜„๐—ฒ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐——๐—ถ๐—ฎ๐—ป๐—ฒ ๐—™๐—ถ๐˜…๐—น๐—ฒ๐—ฟ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป โ€ข ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿญ๐Ÿฑ

Photos from Rago Auction's post 09/10/2026

๐—ก๐—ข๐—ช ๐—ข๐—ก๐—Ÿ๐—œ๐—ก๐—˜ โ€ข On September 23rd, ๐—ฃ๐—ผ๐˜€๐˜ ๐—ช๐—ฎ๐—ฟ & ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—”๐—ฟ๐˜ offers an impressive range of works from leading artists of the past century. Among the highlights are ๐—๐—ฒ๐—ณ๐—ณ ๐—ž๐—ผ๐—ผ๐—ป๐˜€โ€™s monumental ๐˜—๐˜ถ๐˜ฑ๐˜ฑ๐˜บ painting and ๐—๐—ผ๐—ฎ๐—ป ๐— ๐—ถ๐—ฟรณโ€™s bronze ๐˜›รช๐˜ต๐˜ฆ, accompanied by significant works from ๐—•๐—ฎ๐—ป๐—ธ๐˜€๐˜†, ๐—Ÿ๐—ผ๐˜‚๐—ถ๐˜€๐—ฒ ๐—ก๐—ฒ๐˜ƒ๐—ฒ๐—น๐˜€๐—ผ๐—ป, ๐—ฆ๐—ฎ๐—บ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ถ๐˜€, ๐—”๐—บ๐—ผ๐—ฎ๐—ธ๐—ผ ๐—•๐—ผ๐—ฎ๐—ณ๐—ผ, ๐—ง๐—ฎ๐—ธ๐—ฎ๐˜€๐—ต๐—ถ ๐— ๐˜‚๐—ฟ๐—ฎ๐—ธ๐—ฎ๐—บ๐—ถ, ๐—™๐—ฎ๐—ถ๐˜๐—ต ๐—ฅ๐—ถ๐—ป๐—ด๐—ด๐—ผ๐—น๐—ฑ, ๐— ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—›๐—ผ๐—ณ๐—ณ, ๐—”๐—ฑ๐—ฎ๐—บ ๐—ฃ๐—ฒ๐—ป๐—ฑ๐—น๐—ฒ๐˜๐—ผ๐—ป, ๐—ฃ๐—ฒ๐˜๐—ฒ๐—ฟ ๐—›๐—ฎ๐—น๐—น๐—ฒ๐˜†, and many more.

๐—ฆ๐—ฒ๐—น๐—ฒ๐—ฐ๐˜ ๐—ฃ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„ / ๐—ก๐—ฒ๐˜„ ๐—ฌ๐—ผ๐—ฟ๐—ธ๏ฟฝ
18 โ€“ 23 September 2026๏ฟฝ
11 am โ€“ 5 pm, Mon โ€“ Fri๏ฟฝ
501 West 20th Street

๐—ฆ๐—ฒ๐—น๐—ฒ๐—ฐ๐˜ ๐—ฃ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„ / ๐—Ÿ๐—ฎ๐—บ๐—ฏ๐—ฒ๐—ฟ๐˜๐˜ƒ๐—ถ๐—น๐—น๐—ฒ๏ฟฝ
16 โ€“ 23 September 2026๏ฟฝ
11 am โ€“ 4 pm, Mon โ€“ Fri

Now open for bidding โ†’ www.wright20.com/auctions/2026/09/post-war-contemporary-art

๐—ฃ๐—ผ๐˜€๐˜ ๐—ช๐—ฎ๐—ฟ & ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—ผ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—”๐—ฟ๐˜ โ€ข ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฏ

09/10/2026

๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ง๐—ข๐——๐—”๐—ฌ โ€ข ๐˜‘๐˜ฐ๐˜ฉ๐˜ฏ ๐˜Š๐˜ฆ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฒ๐˜ถ๐˜ช๐˜ด๐˜ต: ๐˜›๐˜ฉ๐˜ฆ๐˜ฏ & ๐˜•๐˜ฐ๐˜ธ presents a survey of the singular Southern Californian artistโ€™s works in wood, tracing his recurring visual and material vocabularies. With a far-reaching range of influences, from Japanese Ukiyo-e woodblock printing to Popeye the Sailor Man, Cederquist creates intricate illusions and playfully subverts distinctions between art and craft.

๐—๐—ผ๐—ถ๐—ป ๐˜‚๐˜€ ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—Ÿ๐—”๐— ๐—” ๐—ด๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐˜€๐—ฒ๐—น๐—น๐—ถ๐—ป๐—ด ๐—ฒ๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป, ๐—ป๐—ผ๐˜„ ๐—ผ๐—ป ๐˜ƒ๐—ถ๐—ฒ๐˜„ ๐—ถ๐—ป ๐—Ÿ๐—”.

๐Ÿ—“๏ธ 10 September โ€“ 5 October 2026
๐Ÿ•’ 11 am โ€“ 4 pm, Monday โ€“ Friday
๐Ÿ“ 6666 Lexington Avenue, Los Angeles

Photos from Wright Auction's post 09/04/2026

๐—ก๐—ข๐—ช ๐—ข๐—ก๐—Ÿ๐—œ๐—ก๐—˜ โ€ข On September 18th, Rago/Wright is proud to present ๐——๐—ฒ๐—ณ๐—ถ๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป: ๐—ง๐—ต๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ธ ๐— ๐—ฐ๐——๐—ผ๐—ป๐—ฎ๐—น๐—ฑ. For more than forty years, McDonald has helped shape the field of mid-century design with his galleries Fifty/50, Gansevoort, and 330 while becoming a key resource for artists, designers, collectors, dealers, and museums. McDonaldโ€™s discerning eye also found expression in his Miami home in Helen Mar, a restored Art Deco building. The present offering is led by examples from ๐—™๐—ฟ๐—ฎ๐—ป๐—ธ ๐—Ÿ๐—น๐—ผ๐˜†๐—ฑ ๐—ช๐—ฟ๐—ถ๐—ด๐—ต๐˜, ๐—ž๐—ฒ๐—บ ๐—ช๐—ฒ๐—ฏ๐—ฒ๐—ฟ, ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฎ๐˜† ๐—˜๐—ฎ๐—บ๐—ฒ๐˜€, ๐—–๐—น๐—ฎ๐—ถ๐—ฟ๐—ฒ ๐—™๐—ฎ๐—น๐—ธ๐—ฒ๐—ป๐˜€๐˜๐—ฒ๐—ถ๐—ป, ๐—Ÿ๐—ฒ๐˜‡๐—ฎ ๐— ๐—ฐ๐—ฉ๐—ฒ๐˜†, ๐—ฃ๐—ถ๐—ฒ๐—ฟ๐—ผ ๐—™๐—ผ๐—ฟ๐—ป๐—ฎ๐˜€๐—ฒ๐˜๐˜๐—ถ, ๐—š๐—ฒ๐—ป๐—ฒ ๐——๐—ฎ๐˜ƒ๐—ถ๐˜€, ๐—ฉ๐—ถ๐—ท๐—ฎ ๐—–๐—ฒ๐—น๐—บ๐—ถ๐—ป๐˜€, and many others.

๐Ÿ”— Browse and bid at wright20.com

๐——๐—ฒ๐—ณ๐—ถ๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป: ๐—ง๐—ต๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐— ๐—ฎ๐—ฟ๐—ธ ๐— ๐—ฐ๐——๐—ผ๐—ป๐—ฎ๐—น๐—ฑ โ€ข ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿญ๐Ÿด

Photos from Wright Auction's post 09/03/2026

Tony Marshโ€™s ๐˜—๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ญ ๐˜š๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜“๐˜ช๐˜ง๐˜ฆ (1996) takes one of the oldest forms in ceramics, the vessel, and turns the idea completely inside out. Each of the individual elements in the still life contain hundreds of tiny perforations, transforming solid clay into something that feels nearly weightless. The vessel is still recognizable, but it can no longer really contain anything. Light passes through, shadows become part of the form, and the objects inside begin to feel less like traditional still-life objects and more like fragments of coral or shells collected along a shore.

His process was incredibly labor-intensive: he drilled the openings by hand, slowly removing material until the clay began to look skeletal. Marsh has described this approach as โ€œaddition by subtraction.โ€ The more clay he removes, the more the work seems to become about light, air, and negative space. His years studying ceramics in Japan, combined with the influence of Los Angelesโ€™ Light and Space movement, helped shape this fascination with making clay feel intangible. Created in 1996, this work comes from an important early period in Marshโ€™s exploration of this signature language, when he was pushing the boundaries of ceramics beyond the traditional idea of the pot and firmly into the realm of sculpture.

Bid on Marshโ€™s ๐˜—๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ญ ๐˜š๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜“๐˜ช๐˜ง๐˜ฆ in ๐—ฃ๐˜‚๐˜€๐—ต๐—ถ๐—ป๐—ด ๐—•๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€: ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ผ๐˜„๐—ฒ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐——๐—ถ๐—ฎ๐—ป๐—ฒ ๐—™๐—ถ๐˜…๐—น๐—ฒ๐—ฟ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป presented by Rago/Wright on ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿญ๐Ÿฑ.

๐Ÿ”— Learn more at wright20.com

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