SuperGraphics

When your tagline is "Creating Great Places to Live," the details matter. The Galman Group gets that.

From conceptual design to final installation, we helped the Galman Group create a consistent branding package and rolled it across 11 lockers at 11 different properties.

Sophia's Place. Castlebrook. North Lane. Spruce Court. Each one wears the Galman identity while still playing nicely with the Amazon Hub mark.

Turns out "a great place to live" is a thousand small details. This is one of them.

Learn more about how we can elevate your locker systems: https://supergraphics.com/products/locker-wraps/

The reigning world champions are back — and you'll feel it before you even reach your seat. 🔥

Getting to help welcome the team home — squeegee in one hand, blowtorch in the other — is the kind of work we live for.

Let's go, Seattle. We're so ready for this. 🏈💙💚

Summer came in on the grill, and it's going out the same way. 🔥

Burgers and dogs in the lot, a dumpling station running full tilt indoors, and one very good boy working the room for scraps.

Happy Labor Day weekend from all of us at SuperGraphics.

Walk into most retail stores and you can spot "the campaign" instantly. It's the window. Maybe a wall. The rest of the store is just… the store.

Brooks Trailhead doesn't work that way.

For 12 years, we've been the production partner behind Brooks Running's Seattle flagship — and every quarter, the whole environment changes. Not just the obvious surfaces. The columns. The stair risers. The podiums. The fabric banners overhead.

Because customers don't experience a campaign. They experience a place.

The trick to keeping a flagship feeling reinvented without burning down the bones every quarter? Treat every fixture as a campaign surface. It's choreography, not signage.

The best part: you don't need 12 years to start working this way. It's a mindset, not a milestone.

Here's how we do it: https://supergraphics.com/brooks-trailhead-seattle-flagship-case-study/

Many exhibit pieces come with a "please don't touch" sign. We built one designed for the opposite.

This is a topographic map you can run your hands across — a wild landscape, printed on real wood, now the centerpiece of a local conservation institution's exhibit.

But the most impressive part is one you'll never see. Because getting 17 layers of plywood to align perfectly, hold together, and survive thousands of visitors a day came down to a series of engineering decisions hidden completely inside the piece.

We pulled back the curtain on how it's built: https://supergraphics.com/wooden-topographic-map-case-study/

"If you're going to train as a champion, you're going to be in championship environment facilities." — Greg Sundberg, Deputy Athletic Director, University of Montana.

Twenty-five years in, Greg has proven that the walls a program builds aren't decoration — they're part of how it becomes what it says it is. A recruit reads them before a coach speaks. A donor feels them. A student athlete trains inside them every day.

We talked with him about the strategic power of branded environments — and why the smartest programs design them in from the start:
https://supergraphics.com/greg-sundberg-university-of-montana-branded-athletic-environments/

Most wall décor gives itself away up close — a scuff, a faded corner — and the whole space starts to read cheaper than the brand in it.

With ChromaLuxe metal prints, that doesn't happen.

We heat-transfer the artwork into the high-gloss metal panel, so the color reads rich and luminous instead of flat. And because it's sealed in the metal, the image stays pristine — scratch, moisture, and fade-resistant, even in the highest-traffic spaces.

The result: a frameless, glass-free piece that floats off the wall and looks lit from within, up to 4 ft × 8 ft.

And here's the part most printers can't touch: we produce this at scale, and install it nationwide. So gallery-grade stops being a flagship-only splurge.

Learn more about gallery-quality fine art prints: https://supergraphics.com/who-we-serve/fine-art/

Brooks Running is stepping into owned retail like never before — with their first brick-and-mortar stores in Seattle and Boston.

They're not ready to scale because of a sudden decision. They're ready because of a decade of quiet infrastructure built by one team.

Johnny Hubbard arrived at Brooks in 2014 as its very first production designer. Since then he's helped build the production design function that turns every campaign concept into physical reality — window wraps, stadium banners, billboards, shoe wall tags, all on spec, all on deadline — and tested it relentlessly in Brooks' Trailhead flagship store.

That's the foundation the new stores are built on. We've been proud to build alongside Johnny's team for years — and we sat down with him to talk about how it all comes together:
https://supergraphics.com/brooks-running-interview-johnny-hubbard/