Lizardkng Creative
visual artistš¦
creative services @baltzco š„ His body of work ranges from short films to large scale art installations, with innumerable photographs in between.
Services and Capabilities include:
Photography - Portraits, Events, Products
Graphic Design - Printed Collateral, Digital Media, Animation
Videography / Video Editing
Live Visuals
Born and raised in Flushing Queens and trained at the School of Visual Arts in NYC, Michael is a multidisciplinary video and graphic artist. Described by his peers as āDavid Lynch meets Walt Disneyā, Michaelās style is whimsically irreverent. His work aims to stretch the limits of perception and leave his audience questioning what they accept as dogma. Michael is currently Creative Manager at Baltz & Company in NYC. He has been photographing food, chefs and restaurants for nearly 15 years throughout New York City and Los Angeles. Michael has had photos featured in the New York Times Magazine, USA Today, People Magazine, Departures and Esquire. Most recently he has been enraptured with the synthesis of live visual art and projection mapping to express his unique themes. Michael has performed at a number of music festivals and events including Suwannee Hulaween, Wild Woods Music & Arts Festival and Brooklyn Comes Alive. Michael currently lives in Bay Ridge, Brooklyn.
04/06/2026
TLDR: My painting of a boombox is also a bluetooth speaker that you can pair to your phone and play music from. I had been tinkering with this one for a while. Took some code, a soldering iron, and a whole bunch of interneting to pull it together. The amp is a speaker bonnet from sitting on top of a Raspberry Pi 3. Everythingās mounted to the frame with some cool products from . I cobbled together bits of code from open sources across the internet and noodled around until it did what I needed it to do.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
03/26/2026
Iāve been sitting on this painting for a minute. Finished it early 2025 but never got around to sharing it. Funny thing is, I always gets the biggest smiles and best conversations whenever someone sees it in person. So without any further pomp and circumstance, I present āRouletteā for your enjoyment.
This oneās cool because when you use the LizardkngARt app, the painting and prints come alive on your phone. I created the animation in homage to one of the best original NES games. Make sure your sound is on, itāll transport you back to sitting on the floor, sweaty controller in hand, getting the timing just right to line up the star. Same nostalgia, new tech.
The original is available, but Iām also excited to share that prints are now live on my new online store, check the link in my bio
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks.
03/12/2026
In, out. Repeat. Somewhere between those two points thereās a space where the noise stops, where you remember that underneath everything, thereās a rhythm thatās been with you since day one. Your breath. The one constant youāve had your entire life, and the thing we often pay the least attention to.
āResonanceā is my attempt to make that visible. On the surface itās a painting of a woman, eyes closed, lost in that space between breaths. Using augmented reality with my LizardkngARt app, an expanding shape appears above her head, dilating and contracting, breathing with her. The idea is simple: you breathe along with her. Sync up. Let the painting guide you into that rhythm. Itās a meditation trainer disguised as art, a portal to that quiet place we all need but rarely remember.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
02/26/2026
Nostalgia isnāt just a cozy memory of days long past, it can be a place you can return to. A sanctuary.
Back a few years ago I had been thinking about the spaces that helped shape me. Not the physical rooms I grew up in, but the ones that lived inside the cathode ray tubes. Saturday mornings in front of the TV with a bowl of cereal, the world still asleep, and Iām watching He-Man defend Castle Grayskull or the Turtles skateboard under the streets of New York City. They were sanctuaries for the heroes, and they became sanctuaries for me as well.
Thatās what led me to paint the Saturday Morning Sanctuaries, a series of iconic hideouts from the cartoons that raised me. Castle Grayskull. Scrooges Vault. The Turtles Sewer Hideout. The Muppet Babies Nursery. The Thundercats Lair. Each one is a place of power, rest, and refuge for its heroes. But hereās the thing: the characters are gone. The voice actors have moved on, the animators too. These sanctuaries are ours now. Ā In a modern world where everything had accelerated so much, it was a way for me to return to a safe space to collect myself and find resolve to tackle whatever this new decade tossed my way.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
02/09/2026
Iāve been playing with augmented reality for a while now, giving my traditional art an extra layer of motion and sound. A third party app was powering all of this, linking the video to the canvas. As my audience started to grow so did my concerns. If this company shut down, all my art would āstop workingā. I had qualms about accepting bigger commissions and even selling prints. Thatās not even to mention the $20 subscription I was paying each month to host and run my content through their app. I knew if I wanted my practice to level up, Iād have to figure something out.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
01/23/2026
I might catch some heat for this one, but Iām not wrong: Sublime is a cover band. Though I may be stretching the term a little. Not every track is a straight-up cover, but if you soften your focus like youāre peering into a magic eye photo, what emerges is a kaleidoscopic mixtape. A big salty collage of borrowed riffs and lifted lines. Ā Sublimeās music is a rabbit hole⦠one that runs from Long Beach to Compton to Kingston and beyond. This playlist is an epic quest through all the songs that made the songs.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
01/09/2026
As I kick off this bi-weekly newsletter, my mind has been on momentum. How to gain some, how to sustain it, and how to catch it again when it decides to run off without me.
In his book Catching the Big Fish, David Lynch says: āIf you want to get one hour of good painting in, you have to have four hours of uninterrupted time.ā Iāve lived that.
Sometimes it takes hours just to break the seal, and the moment the clock gets interrupted, it all resets. Iāve sat in the studio staring down a canvas, trying to force the work into existence.
I was raised on montage sequences. 80ās movies taught me that the grind collapses into a series of neat little cuts with an epic soundtrack, music swelling until you emerge victorious. Sit down at the desk, and the edit kicks in. Except it doesnāt. Thereās no cut. No music. Just me, the silence, and the slow grind of the first inch.
To read more, check out this weekās Static Bloom newsletter, and sign up to get the Bloom directly to your inbox about every two weeks. Both links are in my bio.
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Whitestone, NY